1986
DOI: 10.1037/0022-3514.51.3.586
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Effects of an opposite-gender companion's affect to horror on distress, delight, and attraction.

Abstract: We exposed male and female undergraduates to a horror movie in the presence of a same-age, opposite-gender companion of low or high initial appeal who expressed mastery, affective indifference, or distress. Measures were obtained for the subjects' affective reactions to the movie, the companion's physical appeal, the companion's personality traits, the companion's desirability as a working partner, and the subjects' tendency to acquiesce to apparently erroneous contentions on the part of the companion. We foun… Show more

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Cited by 106 publications
(75 citation statements)
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“…Horror movies provide one such example. Ample research demonstrates that males particularly enjoy the fear and distress induced by horror movies, especially if they are able to demonstrate their skills of mastery before a distressed female coviewer (Hoffuer & Levine, 2005;Zillmann & Weaver, 1996;Zillmann, Weaver, Mundorf, & Aust, 1986). Reversal theory (Apter, 1989) provides a useful framework for studying such hedonic reversals.…”
Section: Affective Challengesmentioning
confidence: 99%
“…Horror movies provide one such example. Ample research demonstrates that males particularly enjoy the fear and distress induced by horror movies, especially if they are able to demonstrate their skills of mastery before a distressed female coviewer (Hoffuer & Levine, 2005;Zillmann & Weaver, 1996;Zillmann, Weaver, Mundorf, & Aust, 1986). Reversal theory (Apter, 1989) provides a useful framework for studying such hedonic reversals.…”
Section: Affective Challengesmentioning
confidence: 99%
“…Future research may wish to consider the theory of gender-role socialization of affect (Zillman, Weaver, Mundorf, & Aust, 1986). This predicts that the people are socialized according to traditional cultural gender roles, especially regarding how they publicly display the influence of affect (Basow, 1986;Lott, 1987).…”
Section: Discussionmentioning
confidence: 97%
“…Recognising that many entertainment products involve an aspect of shared experience, often with a well-known group of connected individuals, psychologists see social capital and 'emotional contagion' as both playing a role in the experiences and reactions of people to entertainment: 'Persons responding to humour appear to take the reactions of others as a cue that signals the extent to which the events before them are laughable' (Bryant, 1994: 454) Similarly, whilst watching a horror film a couple may contribute to each other's enjoyment of the experience by displaying amusement of disaffect towards the frightening stimuli in order to comfort or impress their date (456; see also Zillmann et al, 1986) There exists, then, a solid tradition of studying entertainment in Psychology. But would we want to bring Psychology into the interdisciplinary mix of Cultural Studies?…”
Section: Cultural Studies and Interdisciplinaritymentioning
confidence: 99%