2018
DOI: 10.1016/j.jneuroling.2018.05.003
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Effects of combination of linguistic and musical pitch experience on subcortical pitch encoding

Abstract: Musical experience and linguistic experience have been shown to facilitate language and music perception. However, the precise nature of music and language interaction is still a subject of ongoing research. In this study, using subcortical electrophysiological measures (frequency following response), we seek to understand the effect of interaction of linguistic pitch experience and musical pitch experience on subcortical lexical and musical pitch encoding. We compared musicians and non-musicians who were nati… Show more

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Cited by 15 publications
(30 citation statements)
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References 39 publications
(66 reference statements)
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“…From the current findings, we can conclude that the effect of combination of different types of experiences (language and/or music) are not simply additive towards novel lexical pitch learning. Future studies could consider investigating this research question from a neurophysiological standpoint by using auditory event-related potentials such as frequency following response [15]- [17] and/or cortical pitch response [18].…”
Section: Discussionmentioning
confidence: 99%
“…From the current findings, we can conclude that the effect of combination of different types of experiences (language and/or music) are not simply additive towards novel lexical pitch learning. Future studies could consider investigating this research question from a neurophysiological standpoint by using auditory event-related potentials such as frequency following response [15]- [17] and/or cortical pitch response [18].…”
Section: Discussionmentioning
confidence: 99%
“…However, until now, there have been no studies that have investigated the effect of the combination of experiences with two tone languages on the brainstem encoding of lexical pitch contours. Behavioral [6] and neural findings [16] from previous studies suggests that the effect of the combination of two experiences (language and music) is no better than one. In other words, auditory experiences that are otherwise facilitatory for language perception, might end up causing a "saturation effect" when in combination.…”
Section: Introductionmentioning
confidence: 89%
“…A total of 3000 sweeps of each stimulus were presented binaurally in alternating polarity to each subject via insert earphones (Compumedics 10Ω) at 81 dB SPL using the Audio CPT module of STIM2 (Compumedics Neuroscan, USA). The inter-stimulus (offset to onset) interval was jittered from 74 to 104 ms [1], [11], [16], [18] and the order of stimulus presentation was randomized across participants. Participants were asked to relax and ignore the stimuli.…”
Section: Stimuli Presentationmentioning
confidence: 99%
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“…FFR, in general, evaluates the phase locking abilities of the auditory nervous system. FFR robustly captures the pitch encoding of the stimulus, a crucial component in lexical tone perception 36 38 . Evidence suggests that FFR is influenced by long-term auditory experiences of language 39 41 , music 42 , 43 , and disorders 44 48 .…”
Section: Introductionmentioning
confidence: 99%