“…Literature regarding street performance has concentrated on the history of street performance ( Campbell, 1981 ; Cohen and Greenwood, 1981 ; M. Smith, 1996 ), case studies of the street performances in specific locations ( Prato, 1984 ; Harrison-Pepper, 1990 ; Tanenbaum, 1995 ; Marina, 2018 ), and life stories of street performers ( Moore, 1974 ; Press and McNamara, 1975 ; Condos, 1976 ; Palmquist, 1984 ; Gomes, 2000 ; Rebeiro Gruhl, 2017 ). Others have studied street performance from the economic ( Kushner and Brooks, 2000 ), legal and legislative ( McNamara and Quilter, 2016 ; Juricich, 2017 ), urban design and policy ( Astor, 2019 ; Clua et al, 2020 ), and spectator experience ( Ho and Au, 2018 ; Ho et al, 2020 ) perspectives. Last but not least, there is the discourse that street performance can enhance people’s experience of public space ( Simpson, 2011 ; Doughty and Lagerqvist, 2016 ; Doubleday, 2018 ), and that is of interest to the current paper.…”