function of stimulus arousal irrespective of stimulus valence by using positive and negative expressions of varying emotional intensity 5. Here, intensity refers to the entirety of aspects, constitutive for the emotional experience as a whole 33,34 and is highly correlated with emotional arousal 5. Interestingly, some other studies also report modulation by expression intensity (and corresponding stimulus arousal), but report inverse intensity effects (that is, enhanced amygdalar activation to low intense/low arousing expressions 35 (see discussion below). With regard to affective voice processing, findings are also mixed. Using verbal and non-verbal vocalizations some studies show valence specific (e.g., responding to anger, fear, disgust but not happy vocalizations) amygdalar responses 36,37 , while others indicate valence-independent enhancements reflecting stimulus arousal 38,39 or combined effects of stimulus valence and stimulus arousal 5. In general, many studies only provide a dichotomous experimental manipulation (e.g., neutral versus negative expressions) and do therefore not provide information regarding separate contributions of stimulus valence and stimulus arousal 40-42. With respect to potential parallels between the processing of emotional vocalizations and facial expressions, it remains uncertain, whether the amygdala responds in a domain-general way across visual and auditory modalities. Recent reviews suggest that the amygdala is more important in affective face processing, as compared to the processing of emotional vocalizations 15,16. On the other hand, a large number of imaging studies demonstrate enhanced amygdalar activation to emotional signals from the auditory compared to the visual domain 6,8,40,42,43. In a similar vein, lesion studies also report impaired processing of emotional prosody in amygdala-lesioned patients 37,44-47. Finally, there are some bimodal studies, which suggest analogous response patterns irrespective of the visual and auditory domains 36,48,49. Aubé and colleagues (2015) 49 , for instance, demonstrate enhanced amygdalar activation in response to fear-related facial expressions, vocalizations and music plays, thus indicating parallels in the processing of emotional signals from different modalities 50. Taken together, previous studies indicate that the amygdala responds to emotional signals from visual and auditory channels, although it is uncertain whether asymmetries in affective voice and face processing exist. Several aspects might be relevant with regard to the heterogeneous findings of previous research. In particular, many of the above-mentioned studies neither assessed stimulus valence/arousal, nor controlled for comparable arousal levels across valence categories 22,36,49-51. Positively-valenced facial expressions and voices may tend to be perceived as less arousing since they are frequently encountered in everyday life 28,52. Importantly, several of the above-mentioned studies might have failed to create highly arousing positive signals-especially those wh...