“…Concerning the challenges, they had a fixed (all-or-none) character and therefore were representative of many, but not all, challenges with which performers might be confronted (Brinkmann & Franzen, 2013;Brinkmann, Schüpbach, Ancel Joye, & Gendolla, 2009;Richter, 2010;Silvia, 2012;Silvia, Nusbaum, Eddington, Beaty, & Kwapil, 2014). Alternatively, performers can be confronted with unfixed (piecemeal) challenges that allow them to accrue different benefits by performing at different levels (Brehm & Self, 1989;Locke & Latham, 1990).…”