2009
DOI: 10.1524/behe.2009.0011
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Ein Kampf um Ordnung. Europa, die Steppe, die Leinwand und das Nichts

Abstract: Analysing five Eastern European History films that in one way or another are set in the steppe, this essay suggests that there is an intricate connection between setting and narrative structure. The historical “Steppe” appears as a projection screen that invites a conversion of the historical material into myths of utopian, or dystopian, content. Thus, the steppe movies under scrutiny deal with “struggles for order” in a very basal sense: that is, for order as such versus existential nothingness. This mythopoe… Show more

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“…In other cases, images of oriental sexuality were changed to make them more acceptable to the European public (Ref. 5, p. 37) 6 . Pictures of women's bodies revealed their voluptuousness, and the image of animal-type sexuality became culturalized and accepted.…”
Section: Russia and The West: The Early Encountersmentioning
confidence: 99%
“…In other cases, images of oriental sexuality were changed to make them more acceptable to the European public (Ref. 5, p. 37) 6 . Pictures of women's bodies revealed their voluptuousness, and the image of animal-type sexuality became culturalized and accepted.…”
Section: Russia and The West: The Early Encountersmentioning
confidence: 99%