Einleitung – Immaterielles Kulturgut und konkurrierende Normen: Lokale Strategien des Umgangs mit globalen Regelungen zum Kulturgüterschutz

Röschenthaler, Ute; Diawara, Mamadou

doi:10.3790/soc.61.1.1

Cited by 4 publications

(3 citation statements)

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“…If one understands the concept of development in the broad sense of global structural policies and global social engineering, and if one assumes "anthropology of development" instead of (applied) "development anthropology" in a narrow sense, then we are, in fact, dealing with a process of differentiation and dissolution of boundaries. Alongside the differentiation of development policy, particular global policies are now being researched instead of a uniform object called "development": they include agricultural and environmental policies (Münster and Münster, 2012;Weisser et al, 2013); education policies (Fichtner, 2012); immigration policies (Drotbohm, 2011); gender policies (Feuerbach, 2011); health policies (Hardon and Dilger, 2011;Kroeker, 2012;Park, 2012); children's policies (Alber, 2012;Fay, 2019); cultural policies (Pelican, 2010;Röschenthaler and Diawara, 2011); legal policies (Eckert et al, 2012;Kolloch, 2021); resource policies (Hoinathy and Behrends, 2014); security policies (Kirsch and Grätz, 2010;Beek, 2017;Göpfert, 2020); administrative and organisational policies (Rottenburg, 2009;Hüsken, 2006;Werthmann and Schmitt, 2008;Bierschenk et al, 2014). German anthropologists remain primarily interested in the local effects of these policies in the Global South, and much less to date in other stations of these translation chains.…”

Section: Since 2000: the Anthropology Of Global Social Engineering At...mentioning

confidence: 99%

Anthropology and development in Germany

Bierschenk¹

2021

anthropodev

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The history of anthropology’s engagement with development in the post-World War II German-speaking world (Germany, Austria and Switzerland) can be divided into three phases: from being strongly rejected by most professorial chair holders (to around 1980), through the emergence of a subfield of anthropology (from 1980) and into the mainstream of the discipline (since around 2000). However, this perspective presupposes a broad definition of “anthropology of development” that encompasses more than the application of anthropological knowledge in development cooperation, as is often implied by the term “development anthropology”. In the slow modernisation process of German anthropology over the last fifty years – as defined by the discipline’s turn towards the modern world and its rapid internationalisation – the critical study of development as a field of professional practice has played a pioneering role by providing important theoretical and methodological stimuli. Together with their European colleagues, not least from APAD, German-speaking anthropologists have developed a particular style that has also been referred to as the “anthropology of development based on anthropology in development”. Today, the anthropology of development has evolved into an ethnographic inquiry of global social engineering.

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Section: Since 2000: the Anthropology Of Global Social Engineering At...mentioning

confidence: 99%

Anthropology and development in Germany

Bierschenk¹

2021

anthropodev

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“…Przyborski; Wohlrab-Sahr, 2014: 201. 25 Röschenthaler;Diawara, 2011: 8. 26 Peukert, 2016: Monopole im medienindustriellen Komplex?…”

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Monopole im medienindustriellen Komplex?

Fischer¹,

Klingner²,

Zill³

2023

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Verwertungsgesellschaften wie GEMA, VG Wort oder VG Bild-Kunst nehmen die Urheberrechte ihrer Mitglieder treuhänderisch wahr. Dank eines historisch gewachsenen Monopols sind sie heute zentrale Akteurinnen in den Kreativindustrien, die sich zudem als politische Interessensvertreterinnen verstehen. Trotz ihrer Relevanz hat sich vor allem die juristische Forschung mit Verwertungsgesellschaften beschäftigt. Mit dem Sammelband kommen erstmalig vielfältige und interdisziplinäre Stimmen zu Wort, die neue Perspektiven auf Verwertungsgesellschaften im nationalen und internationalen Kontext bieten. In der Zusammenschau liefert der Band damit einen gesamtheitlichen Blick auf die Organisationsform ›Verwertungsgesellschaft‹. Die Beiträge bündeln nicht nur interdisziplinäre Analysen von Verwertungsgesellschaften als Organisationen in Vergangenheit, Gegenwart und Zukunft, sondern bieten auch Einblicke in die Praxis, den Alltag und die verschiedenen Herausforderungen, denen sich Verwertungsgesellschaften im Übergang ins digitale Zeitalter stellen müssen.

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“…Si Newton est si excédé par le diktat de la norme européenne et de la règle d'airain de la justice et des normes étasuniennes, que dire du plaquage du droit occidental sur la réalité africaine, non seulement plurielle, mais en outre gérée par des lois et normes antérieures à Canadian Journal of African Studies/ La Revue canadienne des études africaines 447 l'héritage colonial (Barber 1999(Barber , 2003Diawara 2011b, Röschenthaler 2004Röschenthaler and Diawara 2011)? Qu'en est-il de l'écrasante majorité des cas en Afrique où le musicien ne compose pas par écrit?…”

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“La bibliothèque coloniale”, la propriété intellectuelle et la romance du développement en Afrique

Diawara

2014

Canadian Journal of African Studies / Revue canadienne des étud

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To cite this article: Mamadou Diawara (2014) "La bibliothèque coloniale", la propriété intellectuelle et la romance du développement en Afrique, Canadian Journal of African Studies/La Revue canadienne des études africaines, 48:3, 445-461To link to this article: http://dx. RésuméOn se demande vigoureusement les conditions de construction du savoir relatif au continent, ainsi qu'à la pensée africaine. L'influence de V.Y. Mudimbe à cet égard est immense. Les grandes catégories de l'anthropologie sont interrogées, voire remises en question, notamment les ethnies. Aussi pertinentes qu'elles soient, ces analyses renvoient à la bibliothèque et au système de représentation qui invente le continent et l'érigent en paradigme de la différence par excellence. Il importe, au-delà des discours savants, de jeter un regard sur le rapport des gens du commun aux bibliothèques. Les animateurs de radio par exemple commentent, candides, l'oeuvre de tel ou tel artistemusicien. L'appropriation implique le droit y afférent: droit d'auteur(e), copyright ou Urheberrecht. Qui s'en écarte devient pirate. Que signifie, alors, moderniser, l'auteur, l'oeuvre, le droit d'auteur ou le pirate dans la langue, non pas héritée du droit occidental, mais dans celle du citadin ou du villageois moyen? AbstractOne asks oneself vigorously about the conditions of the construction of knowledge relative to the African continent as well as to its way of thinking. The influence of V.Y. Mudimbe in this regard is immense. The major categories of anthropology are examined, even called into question, and most notably the ethnic groups. As pertinent as they may be, these analyses return to the library and to the system of representation that the continent invents and raise it to a paradigm of difference par excellence. It is important, beyond the scholarly discourse, to take a look at the relationship of ordinary people with libraries. Broadcasters, for example, comment candidly on the work of one artist-musician or another. Appropriation implies the related right: "droit d'auteur (e)", copyright or "Urheberrecht". Anyone who fails to comply becomes a pirate. What, therefore, is the meaning of to modernise the author, the work, the copyright or the pirate not in language inherited from Western law but in that of the citizen or the average villager?Mots-clé: Bibliothèque coloniale; propriété intellectuelle; histoire du droit d'auteur; biens immatériels; épistémè; développement; musique Noire étasunienne et musique africaine; économie du spectacle; moderniser la musique; cadre normatif de production musicale

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Einleitung – Immaterielles Kulturgut und konkurrierende Normen: Lokale Strategien des Umgangs mit globalen Regelungen zum Kulturgüterschutz

Cited by 4 publications

References 15 publications

Anthropology and development in Germany

Anthropology and development in Germany

Monopole im medienindustriellen Komplex?

“La bibliothèque coloniale”, la propriété intellectuelle et la romance du développement en Afrique

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