El Corno Emplumado y la vanguardia en el umbral de la nueva era.

Abstract

This article analyzes the case of the Mexican magazine El Corno Emplumado and its role as an avant-garde publication based on Renato Poggioli's idea of avant-garde movement and the notions of epoch threshold and aesthetics of threshold formulated by Hans Robert Jauss and Luciana del Gizzo, respectively. The intention is to examine the way in which the magazine edited by Margaret Randall and Sergio Mondragón updates the utopian impulse of the avant-gardes based on their vision that social change at the beginning of the 60s of the 20th century would come thanks to renewal spirituality that only art and poetry could provide. Additionally, it investigates the way in which the magazine reconfigures the avantgarde myth of the new beginning from its postulate of the advent of a new era, the era of the man of air. All this in order to discuss the possibility of thinking about the presence of an avant-garde continuity in Mexican literature throughout the 20th century.