Elemental Aesthetics: On Artistic Experiments with Solar Energy

Abstract

In recent years geographers and others have begun to tease out the ontological, epistemological, and ethico-political implications of thinking about and with the elemental. In this article we contribute to this work by considering the relation between the elemental and the aesthetic. More precisely, we argue for the importance to geographical thinking of the development of an elemental aesthetics attuned to the diverse ways in which the elemental is sensed in bodies and devices of different kinds as part of the distribution of ethical and political capacities. Our argument is developed via participatory engagement with the work of contemporary artist and architect Tomás Saraceno, central to which is the ongoing attempt to craft aesthetic works that mobilize the elemental energy of the sun in order to generate novel modes of sensing, traveling, and living in the air. Drawing on participatory research and engagement with Saraceno's Aerocene project, we show how his work helps us reimagine distributions of the capacity to sense the elemental. In the process, we reflect upon some of the ways in which these experiments can inform the shape and orientation of geographical engagements with an elemental aesthetics.

Breathing in the Anthropocene: Thinking Through Scale with Containment Technologies

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Securing the subterranean volumes: Geometrics, land subsidence and the materialities of things

“…While existing research on volume offers crucial insight into the politics of verticality, much of this work falls short in two respects. First, the work on volumetric politics concentrates much attention on particular voluminous contexts, such as the atmosphere (Adey, 2015; Engelmann and McCormack, 2018). Subterranean space, as Squire and Dodds (2020) detailed, receives insufficient attention and subterranean geopolitics remain unexplored and untheorised.…”

An Eternal Flame: The Elemental Governance of Wildfire’s Pasts, Presents and Futures

“…As Engelman and McCormack state, the elemental is alluring because 'it both captures something tangible about the world and also remains excessive of human agency or intervention'. 7 For some, this allure has led back to elemental philosophies-like those of Empedocles, Aristotle, Mendeleev, and many others-which describe existence as derived from certain fundamental forces or forms. An elemental ontology 'is one not built on composite or hybrids'.…”