Elena Pierazzo, Digital Scholarly Editing : Theories, Models and Methods

Bleeker, Elli

doi:10.4000/variants.408

Cited by 2 publications

(1 citation statement)

References 7 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Given the prominence of thinking about digital editions as digital resources, I would like to direct the reader to Elena Pierazzo's very fine ebook (Pierazzo 2014) which gives a good summary of many of the issues that arise there. My aim in this section, however, is to explore some of the issues that arise out of the work we did at King's to construct the digital resources that could not be described as textual editions.…”

Section: Building Digital Resources: Highly Structured Datamentioning

confidence: 99%

On Making in the Digital Humanities

2023

View full text Add to dashboard Cite

Her research intersects digital humanities, early modern intellectual history, and cultural heritage and archival studies. She has previously held positions at King's College London, University College London and the British Museum. Her current work explores digital approaches to archival silences. John Bradley worked in the digital humanities from the early 1970s until 1997, first at the University of Toronto and then at the Department of Digital Humanities at King's College London, continuing past his retirement in 2015. Most of his posts were 'academic-related' until he was made an academic by King's in 2011. His work includes the development of the text analysis software TACT and the experimental software platform Pliny. He has collaborated on more than 20 public humanities-oriented digital resources. Dauvit Broun has been lecturing at the University of Glasgow since 1990, and since 2009 as Professor of Scottish History. He was Principal Investigator of projects centring on the creation and development of the PoMS database (two funded by the AHRC, 2007-13, with John Bradley as a Co-Investigator, and one funded by the Leverhulme Trust, 2013-17, with John Bradley as Co-Investigator).Dino Buzzetti taught history of philosophy, mainly medieval, at the University of Bologna. For several years he ran a course on documentation and historical document processing at the Faculty of Preservation of Cultural Heritage and a course on humanities computing for philosophy students. His main research topic was the history of logic in relation to contemporary developments in philosophical and theological doctrines.Averil Cameron is a historian of late antiquity and Byzantium. She taught at King's College until 1994 and chaired the Humanities Research Centres. As a Fellow of the British Academy she was instrumental in bringing the Prosopography of the Byzantine Empire (PBE, later PBW) to King's and was the founding director of the Centre for Hellenic Studies. In relation to PBE and PBW she worked closely with Harold Short and John Bradley.

show abstract

Section: Building Digital Resources: Highly Structured Datamentioning

confidence: 99%

On Making in the Digital Humanities

2023

View full text Add to dashboard Cite

show abstract

L’édition numérique au service de la philologie matérielle. Modèles de la lyrique galégo-portugaise

Bermúdez Sabel

2022

ArGaMed

View full text Add to dashboard Cite

Après un état de l'art détaillé concernant les éditions paléographiques numériques et la tradition manuscrite galégo-portugaise, cette contribution présente un prototype pour un nouveau modèle d'édition numérique hyper-diplomatique. L'une des caractéristiques de cette édition qui n'était pas présente dans les travaux précédents est la correspondance entre le texte transcrit et la partie pertinente du fac-similé avec un grand niveau de granularité.

show abstract

Elena Pierazzo, Digital Scholarly Editing : Theories, Models and Methods

Cited by 2 publications

References 7 publications

On Making in the Digital Humanities

On Making in the Digital Humanities

L’édition numérique au service de la philologie matérielle. Modèles de la lyrique galégo-portugaise

Contact Info

Product

Resources

About