Eliciting, Measuring and Predicting Affect via Physiological Measures for Emotional Design

Zhou, Feng; Jiao, Roger J.

doi:10.1007/978-1-4471-4984-2_4

Cited by 4 publications

(1 citation statement)

References 27 publications

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“…Emotional involvement is also central to the immersive experience, especially driven by auditory and visual stimuli in a virtual environment ( Sangkyun, 2012 ; Jan et al, 2020 ; Salselas et al, 2021 ). Studies by some scholars indicated that the use of standardized visual and auditory emotional stimuli could induce different emotional states, thereby affecting the interaction process between the audience and the works, both on physiological and psychological levels ( Ashby and Johnson, 2003 ; Zhou et al, 2013 ; Ding, 2021 ). The emotional design of art can finally penetrate the spiritual world of its audience, excavate their purest emotion, and empower them to understand the works’ deepest meaning, by which the audience can reach a higher realm of realizing the sublimation from sensory appreciation to spiritual reflection.…”

Section: Literature Reviewmentioning

confidence: 99%

Reflections on the battle against COVID-19: The effects of emotional design factors on the communication of audio-visual art

2022

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Fighting against the epidemic is an arduous and prolonged battle where many artists hope to inspire people with the power of art through cultural creativity. To explore the effects of emotional design factors on the communication of audio-visual art and the audience’s perceptive experience, this research takes the original anti-epidemic song and the film China Braves Headwind as the research object. The research also uses such methods as questionnaires, Structural Equation Models, and dependent samples t-tests to conduct statistical analysis. The results are as follows: First, the emotional design evaluation matrix based on the emotional communication model is reasonable, and the scales of this research are feasible. Second, the emotional design of audio-visual works can significantly affect the audience’s emotional experience and further improve sharing intention. Third, Attribute A2 (Artistic style, Thematic perception) and attribute C3 (Emotional resonance, Spiritual sublimation) serve as common factors affecting the emotional experience in terms of both musical works and film and television works. Fourth, compared with musical works, film and television works are likely to resonate with the audience. The combination of music and visual sensation can help open up the conception of artistic works and convey their meanings to viewers. Therefore, it’s necessary to explore the emotional communication mode between audio-visual artists and the audience. It helps artists think about how to create works innovatively and is conducive to marketizing works and stimulating cultural consumption demand.

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Section: Literature Reviewmentioning

confidence: 99%

Reflections on the battle against COVID-19: The effects of emotional design factors on the communication of audio-visual art

2022

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Effects of stress and effort on self-rated reports in experimental study of design activities

Nguyen

Zeng

2016

J Intell Manuf

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This paper investigates the relationships between subjective rating measure and physiological measure of mental stress and mental effort during design activities. Mental stress and mental effort were captured by skin conductance and EEG beta2 power (20-30 Hz) whereas self-rated mental stress and self-rated mental effort were obtained using the NASA Task Load Index. A strong association between selfrated effort and EEG beta2 power was found in several design tasks. The analysis shows that self-rating is by itself a mental activity which may be affected by psychological stress and may be influenced by the amount of cognitive effort allocated. Researchers who rely on subjective rating should take into account the stress and effort of respondents during the rating activities to ensure the validity of the self-report measures. The study also demonstrated that design tasks induced mental stress that continued to stay above the baseline even after the tasks were completed.

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Embracing Less Common Evaluation Strategies for Studying User Experience in NIME

Reimer¹,

Wanderley

Nime 2021

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Assessment of user experience (UX) is increasingly important in music interaction evaluation, as witnessed in previous NIME reviews describing varied and idiosyncratic evaluation strategies. This paper focuses on evaluations conducted in the last four years of NIME (2017 to 2020), compares results to previous research, and classifies evaluation types to describe how researchers approach and study UX in NIME. While results of this review confirm patterns such as the prominence of short-term, performer perspective evaluations, and the variety of evaluation strategies used, they also show that UX-focused evaluations are typically exploratory and limited to novice performers. Overall, these patterns indicate that current UX evaluation strategies do not address dynamic factors such as skill development, the evolution of the performerinstrument relationship, and hedonic and cognitive aspects of UX. To address such limitations, we discuss a number of less common tools developed within and outside of NIME that focus on dynamic aspects of UX, potentially leading to more informative and meaningful evaluation insights.

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Eliciting, Measuring and Predicting Affect via Physiological Measures for Emotional Design

Cited by 4 publications

References 27 publications

Reflections on the battle against COVID-19: The effects of emotional design factors on the communication of audio-visual art

Reflections on the battle against COVID-19: The effects of emotional design factors on the communication of audio-visual art

Effects of stress and effort on self-rated reports in experimental study of design activities

Embracing Less Common Evaluation Strategies for Studying User Experience in NIME

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