Elizabethan Architecture: a View from Rhetoric

Abstract

‘Remember the impression one gets from good architecture, that it expresses a thought.’ Wittgenstein's prompt to himself comes to mind when, in looking at Elizabethan buildings today accepted as ‘good architecture’, we ask, but what is the thought? The thinking behind prodigy houses and their lodges is not easy to discern; it has to be addressed indirectly because the Elizabethans left no statements about their architectural intentions. But it is useful to look at discourses adjacent to architecture. Of these, rhetoric, the ancient art of persuasion, is one of the most significant. ‘Rhetoric and architecture’, writes the historian of memory, Mary Carruthers, ‘have had a venerable dialogue’. This essay argues that such a dialogue exists in the minds of the Elizabethan patron-builders, at various levels of consciousness. New ideas meet with, and in turn are shaped by, an education in which rhetoric has played a significant role.

Sir Thomas Tresham and the Christian Cabala

“…In addition to this theological meaning, it is also conceivable that Tresham intended the image as some sort of 40 Cogan's argument that Tresham's Triangular Lodge and its surrounding landscape represented not only the Trinity but also the 'shield of the Trinity' as an armorial badge for God. 53 Katie McKeogh has also put forward a novel interpretation of some of Tresham's numerology on the Triangular Lodge that is discussed further below. 54 So great was Tresham's love of complex and multilayered symbolism that interpreting his architecture is not a question of alighting on the 'right' explanation, and it is not the argument of this article that cabalistic interpretation of Tresham's symbolic schemes in any way supplants biblical, Patristic and rhetorical interpretations; it simply adds to them.…”