Embodying phenomenology in interaction design research

Stienstra, Jelle

doi:10.1145/2685364

Cited by 7 publications

(4 citation statements)

References 3 publications

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“…In embodied interaction, direct action and shared meaning in the interaction with technology are inseparable (Dourish, 2001). Following this paradigm, HCI researchers explored people's subjective embodied experiences as situated agents in their interaction with technological artefacts through phenomenology (Svanaes, 2013;Hummels and van Dijk, 2015;Stienstra, 2015;van Dijk, 2018;Prpa et al, 2020) and soma design (Höök, 2018;Höök et al, 2019). Looking at the intricacies of subjective experiences resulted in a more nuanced understanding of interactions with technological artefacts.…”

Section: The Foundations Of Experience In Hcimentioning

confidence: 99%

Lived experience in human-building interaction (HBI): an initial framework

Economidou,

Itzlinger,

Frauenberger

2024

Front. Comput. Sci.

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The emerging field of human-building interaction (HBI) has its roots in the historical trends of the development of architecture and human-computer interaction (HCI). Advancements in building information modelling (BIM), sensing, and actuation technologies as well as the commodification and miniaturisation of microprocessors over the past two decades are transforming what once were quixotic visions of a cybernetic architecture into reality. This new reality which integrates computation with architecture opens up different kinds of engagements in the ways we design, use, and inhabit our built environments. A question that follows this new reality is: how can we conceptualise human experience in such environments? Thus far, the lived human experience of such interactions has been an overlooked aspect in HBI-related research. In this article, we provide an initial experience framework for HBI underpinned by existing literature from the HCI and architecture domains on the subjective, lived-in experience of architecture and findings derived from a case study of a field-deployed HBI interface. The research objective of our framework is to outline aspects of HBI lived experiences that can be used as guiding lenses for HBI designers and practitioners who wish to design for and assess such experiences.

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Section: The Foundations Of Experience In Hcimentioning

confidence: 99%

Lived experience in human-building interaction (HBI): an initial framework

Economidou,

Itzlinger,

Frauenberger

2024

Front. Comput. Sci.

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“…A phenomenology design was chosen. Phenomenology is a qualitative research design that is used to describe how human beings experience a certain phenomenon (Stienstra, 2015). This particular type of research design was chosen because this study attempts to set aside biases and preconceived assumptions about women's experiences, feelings and responses related to the challenges they face in the technology industry.…”

Section: Research Approach and Designmentioning

confidence: 99%

The Challenges of Integrating Women in Leadership Positions in the Technology Industry

Cidre¹,

Weidman²

2021

IJICC

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The technology industry seems lacking as in the sector women are more underrepresented in leadership positions; not only that but they are also underpaid, often passed for promotions and faced with everyday sexual harassment (McDonald and Charlesworth, 2015; Vivek, 2016; Waldring, Crul and Ghorashi, 2015). This paper aims to explore the challenges of integrating women in leadership positions in the technology industry. Therefore, to reach the aim of this study, a qualitative research method was used, and an in-depth interview approach was employed to explore the challenges of integrating women in leadership positions in the technology industry. The findings revealed that the main challenges faced by women in the advancement of their careers in the technology industry involve gender discrimination, the working environment and sexual harassment.

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“…Consciousness and meaning emanated from the rhythm generated during the walk, in the way Labelle describes the body that is in "movement in continual negotiation within surrounding patterns" (Labelle 2010, 90). Merleau-Ponty (2013) anchored the concept of perception in the phenomenology of the lived body, in which, as Stienstra puts it, the perceiving subject is incarnated as the mediating link to the phenomenal world (Stienstra 2015). Given that "the body is the container holding emotions and body surface displays them" (Blesser and Salter 2009, 332), the EEG headset detected the emotions of the participants and enabled these materials to be recorded as scientific data.…”

Section: Theoretical Frameworkmentioning

confidence: 99%

“…The self-awareness or consciousness of this lived body arises from its interaction with the installation. Stienstra posits that the concept of perception in the phenomenology of a lived body, in which the perceiving subject is incarnated as the mediating link to the phenomenal world, (Stienstra 2015), affords the possibility to construct meaning during perceptual experience. At the same time Svanaes, argues that, in the context of an immersive an art installation, the lived body is able to extend its sensory apparatus through the mediation of digital technology (Svanaes 2013).…”

Section: Conclusion and Future Stepsmentioning

confidence: 99%

Revealing the Invisible City

Rios¹,

Fernandez²,

He³

et al. 2018

airea

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This article discusses “Exposing the Invisible: A Brain-driven Audiovisual Walk”, an audiovisual installation that was part of the Digital Media Studio Project entitled Invisible Cities. Commencing with an analysis of the research, and experimental and compositional strategies we devised for the installation, we will explore the possibilities afforded from the creative combination of sounds, visuals, emotions and places, in relation to more general aesthetic considerations relevant to data sonification and visualisation. Our approach understands visualisation as a bridge interlinking the emotions with various types of visual elements and sonification as a translation of the inaudible into the sphere of the audible; most importantly, the combination of both as an instrument for comprehending the human-city bond via the embodied sensory experience of place. Our practice, inspired from the interaction between the lived body and the (urban) environment, uses the EEG data with an artistic approach in order to reflect upon and re-interpret this bond.

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Embodying phenomenology in interaction design research

Cited by 7 publications

References 3 publications

Lived experience in human-building interaction (HBI): an initial framework

Lived experience in human-building interaction (HBI): an initial framework

The Challenges of Integrating Women in Leadership Positions in the Technology Industry

Revealing the Invisible City

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