“…And with that is also valorized the subject of speed as being the subject of modernity. Terms such as "dromology" (Virilio, 1986), "accelerated culture" (Readhead, 2004), "fast capitalism" (Agger, 1989), "hypermodern times" (Lipovetsky, 2005), "culture of speed" (Tomilson, 2007), and "empire of speed" (Hassan, 2009) indicate how media and cultural scholars regard speed as an index of modern existence. Speediness of a media object or mediated environment, in such views, signals the existence of a telematically and electronically sped up subjectivity (in relation to an earlier slower mediated subject).…”