Empirical Studies of Moral Rights in Cases of Dramatic and Musical Works

Salter, Brent; Hui, Alan

doi:10.2139/ssrn.1641472

SSRN Journal

2010

DOI: 10.2139/ssrn.1641472

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Empirical Studies of Moral Rights in Cases of Dramatic and Musical Works

Brent Salter

Alan Hui²

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2014

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Plays, Performances and Power Struggles – Examining Copyright's ‘Integrity’ in the Field of Theatre

McDonagh¹

2014

Modern Law Review

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This is the accepted version of the paper.This version of the publication may differ from the final published version. Permanent AbstractThis article explores the notion of 'integrity' under copyright law by analysing examples of 'integrity-based objections' in the field of theatre. These objections typically involve playwrights objecting to changes being made to their copyright works by other parties, such as directors and actors.

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Plays, Performances and Power Struggles – Examining Copyright's ‘Integrity’ in the Field of Theatre

McDonagh¹

2014

Modern Law Review

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Empirical Studies of Moral Rights in Cases of Dramatic and Musical Works

Cited by 1 publication

References 0 publications

Plays, Performances and Power Struggles – Examining Copyright's ‘Integrity’ in the Field of Theatre

Plays, Performances and Power Struggles – Examining Copyright's ‘Integrity’ in the Field of Theatre

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