Energy efficiency aspects of coloristic opportunities of interior space with inclusion of artistic-decorative forms

Abstract

The article raised the issue of the urgency of the problem of reducing the energy consumption of interior space by means of coloristics, taking into account the influence of light and color reflexes of the environment, the aesthetic possibilities of colouristry in the interior, which are directly related to the design methods and ecology of the environment. The principles of colors solution harmony, derived from the combination of colors, forming a single color space-color field, able to form an aesthetically full-color space are analyzed. The necessity of the laws and means of colorization to regulate the subject-spatial environment in the realization of ecological issues and aesthetic improvement of the environment of human life is proved. It was noted that in the conditions of sustainable development of the environment, in search of innovative approaches to ways of reducing the energy costs of objects of the interior of various purposes, the issues of optimization of energy consumption led to the need for special scientific methods, theoretical and practical techniques that could be tools for contemporary artists and designers. A number of inevitable factors of the color environment interconnected and which may be instruments in reducing the energy consumption of the premises by means of colorization are determined. Namely: the type of source of light, the color of the light flux, the force or "measures" of brightness, depending 58

Analysis of Examples of the Application of the Bioclimatic Approach to Color Solutions in High-Rise Buildings

“…ɏɦɚɪɨɱɨɫ :DVO 7RZHU Ⱦɭɛɚʀ ɈȺȿ ɦɚɽ ɫɬɚɬɢ ɧɚɣɜɢɳɢɦ ɭ ɫɜɿɬɿ ɯɦɚɪɨɱɨɫɨɦ ɡ ± ɦɟɬɪɨɜɢɦ ɮɚɫɚɞɨɦ ɨɡɞɨɛɥɟɧɢɦ ɤɟɪɚɦɿɱɧɨɸ ɩɥɢɬɤɨɸ ɪɢɫ ɛ ȼɢɫɨɬɧɚ ɛɭɞɿɜɥɹ ɡɦɿɲɚɧɨɝɨ ɮɭɧɤɰɿɨɧɚɥɶɧɨɝɨ ɤɨɪɢɫɬɭɜɚɧɧɹ ɦɚɬɢɦɟ ɜɢɤɪɢɜɥɟɧɭ ɚɫɢɦɟɬɪɢɱɧɭ ɮɨɪɦɭ ɞɥɹ ɫɬɜɨɪɟɧɧɹ ɟɮɟɤɬɭ ɞɢɧɚɦɿɱɧɨɝɨ ɪɭɯɭ Ƚɥɚɡɭɪɨɜɚɧɿ ɝɥɢɧɹɧɿ ɩɥɢɬɤɢ ɹɤɿ ɩɟɪɟɩɥɿɬɚɸɬɶɫɹ ɞɥɹ ɮɨɪɦɭɜɚɧɧɹ ɲɢɪɨɤɢɯ ɤɪɢɜɢɯ ɽ ɦɿɰɧɿɲɢɦɢ ɡɚ ɛɟɬɨɧ ɿ ɞɨɫɬɚɬɧɶɨ ɩɿɞɞɚɬɥɢɜɢɦɢ ɳɨɛ ɡɚɛɟɡɩɟɱɢɬɢ ɿɧɧɨɜɚɰɿɣɧɿ ɤɪɢɜɨɥɿɧɿɣɧɿ ɮɨɪɦɢ ɜɢɫɨɬɧɨʀ ɛɭɞɿɜɥɿ ɉɪɢ ɰɶɨɦɭ ɤɟɪɚɦɿɱɧɢɣ ɤɚɦɿɧɶ ɡɚɯɢɳɚɽ ɜɿɞ ɬɟɩɥɨɜɨɝɨ ɧɚɜɚɧɬɚɠɟɧɧɹ ɳɨ ɧɚɞɯɨɞɢɬɶ ɭ ɛɭɞɿɜɥɸ ɿ ɡɦɟɧɲɭɽ ɬɟɩɥɨɜɟ ɧɚɜɚɧɬɚɠɟɧɧɹ ɜ ɦɿɫɶɤɢɯ ɪɚɣɨɧɚɯ ɧɚɜɤɨɥɨ ɛɭɞɿɜɥɿ Ʉɪɿɦ ɬɨɝɨ ɮɿɝɭɪɧɿ ɩɥɢɬɤɢ ɛɭɞɭɬɶ ɪɨɡɬɚɲɨɜɚɧɿ ɧɚ ɮɚɫɚɞɿ ɩɿɞ ɤɭɬɨɦ ɳɨɛ ɮɨɪɦɭɜɚɬɢ ɜɿɡɭɚɥɶɧɟ ɭɹɜɥɟɧɧɹ ɧɚɱɟ ɛɭɞɿɜɥɹ ɞɢɯɚɽ ɚ ɬɚɤɨɠ ɞɨɡɜɨɥɹɬɢɦɭɬɶ ɮɿɥɶɬɪɭɜɚɬɢ ɩɪɢɪɨɞɧɟ ɫɜɿɬɥɨ Ɇɟɬɚ ɬɚɤɨɝɨ ɞɢɡɚɣɧɭ ± ɭ ɡɚɛɟɡɩɟɱɟɧɧɿ ɧɢɡɶɤɨɬɟɯɧɨɥɨɝɿɱɧɨɝɨ ɬɚ ɫɬɿɣɤɨɝɨ ɪɿɲɟɧɧɹ ɞɥɹ ɜɢɫɨɤɨɬɟɯɧɨɥɨɝɿɱɧɨɝɨ ɡɚɜɞɚɧɧɹ ɿɡ ɫɬɜɨɪɟɧɧɹ ɜɢɫɨɬɧɨʀ ɛɭɞɿɜɥɿ ɜ ɩɭɫɬɟɥɶɧɨɦɭ ɤɥɿɦɚɬɿ Ⱦɭɛɚɹ > @ Ɋɨɡɜɢɬɨɤ ɛɿɨɤɥɿɦɚɬɢɱɧɨɝɨ ɩɿɞɯɨɞɭ ɞɨ ɡɚɫɬɨɫɭɜɚɧɧɹ ɤɨɥɶɨɪɭ ɜ ɮɚɫɚɞɧɢɯ ɪɿɲɟɧɧɹɯ ɜɢɫɨɬɧɢɯ ɛɭɞɿɜɟɥɶ ʉɪɭɧɬɭɽɬɶɫɹ ɧɚ ɚɧɚɥɿɡɿ ɩɿɞɯɨɞɿɜ ɬɚ ɦɟɯɚɧɿɡɦɿɜ ɡɚɫɬɨɫɭɜɚɧɧɹ ɤɨɥɶɨɪɭ ɜ ɩɪɢɪɨɞɿ ɬɚ ɪɨɡɜɢɬɤɭ ɿɧɧɨɜɚɰɿɣɧɢɯ ɬɟɯɧɨɥɨɝɿɣ ɇɚɩɪɢɤɥɚɞ ɦɨɠɥɢɜɿɫɬɶ ɜɿɞɫɥɿɞɤɨɜɭɜɚɬɢ ɫɬɚɧ ɤɨɧɫɬɪɭɤɰɿɣ ɭ ɜɢɫɨɬɧɢɯ ɛɭɞɿɜɥɹɯ ɜɢɪɿɲɭɽɬɶɫɹ ɡɚ ɞɨɩɨɦɨɝɨɸ ɤɨɥɶɨɪɭ Ɍɚɤ ɪɟɝɭɥɸɜɚɧɧɹ ɜɨɥɨɝɨɫɬɿ ɤɨɧɫɬɪɭɤɰɿɣ ɦɨɠɟ ɡɞɿɣɫɧɸɜɚɬɢɫɶ ɡɚ ɪɚɯɭɧɨɤ ɜɢɤɨɪɢɫɬɚɧɧɹ ɩɪɢɪɨɞɧɨɝɨ ɦɟɯɚɧɿɡɦɭ ɡɜɨɪɨɬɧɨɫɬɿ ɤɨɥɶɨɪɭ ɩɪɢ ɡɦɿɧɿ ɡɨɜɧɿɲɧɿɯ ɤɥɿɦɚɬɢɱɧɢɯ ɩɚɪɚɦɟɬɪɿɜ ɜɢɤɨɪɢɫɬɨɜɭɜɚɬɢɫɶ ɜ ɫɢɫɬɟɦɿ ©ɪɨɡɭɦɧɨɝɨ ɮɚɫɚɞɭª ɹɤɢɣ ɦɨɠɟ ɪɟɚɝɭɜɚɬɢ ɧɚ ɫɬɭɩɿɧɶ ɡɜɨɥɨɠɟɧɧɹ ɱɢ ɩɨɝɥɢɧɚɧɧɹ ɬɟɩɥɚ ɡɦɿɧɸɸɱɢ ɤɨɥɿɪ ɉɪɢɪɨɞɧɢɦ ɚɧɚɥɨɝɨɦ ɽ ɝɿɝɪɨɯɨɦɧɚ ɨɫɨɛɥɢɜɿɫɬɶ ɠɭɤɚ Tmesisternus isabellae ɳɨ ɫɬɚɥɚ ɨɫɧɨɜɨɸ ɞɥɹ ɪɨɡɪɨɛɤɢ ɧɚɧɨɩɥɿɜɤɢ ± ɿɧɞɢɤɚɬɨɪɭ ɜɨɥɨɝɨɫɬɿ ɹɤɚ ɡɦɿɧɸɽ ɫɜɿɣ ɤɨɥɿɪ ɜɿɞ ɡɟɥɟɧɨɝɨ ɞɨ ɱɟɪɜɨɧɨɝɨ ɩɪɢ ɜɩɥɢɜɿ ɜɨɞɹɧɨʀ ɩɚɪɢ ɒɢɪɨɤɟ ɡɚɫɬɨɫɭɜɚɧɧɹ ɮɚɫɚɞɧɨɝɨ ɨɡɟɥɟɧɟɧɧɹ ɬɚɤɨɠ ɦɨɠɟ ɨɰɿɧɸɜɚɬɢɫɶ ɡ ɬɨɱɤɢ ɡɨɪɭ ɤɨɥɶɨɪɨɜɨɝɨ ɪɿɲɟɧɧɹ ɹɤɟ ɛɭɞɟ ɡɦɿɧɸɜɚɬɢɫɶ ɧɚ ɩɪɨɬɹɡɿ ɪɨɤɭ əɤ ɜɠɟ ɜɿɞɡɧɚɱɚɥɨɫɶ ɤɨɥɿɪɧɿ ɜɿɞɬɿɧɤɢ ɩɨ ɪɿɡɧɨɦɭ ɩɨɝɥɢɧɚɸɬɶ ɬɟɩɥɨ Ɍɨɦɭ ɜɢɛɿɪ ɤɨɥɶɨɪɭ ɞɥɹ ɮɚɫɚɞɭ ɜɢɫɨɬɧɨɝɨ ɛɭɞɢɧɤɭ ɫɥɿɞ ɡɞɿɣɫɧɸɜɚɬɢ ɡ ɭɪɚɯɭɜɚɧɧɹɦ ɤɥɿɦɚɬɢɱɧɨʀ ɡɨɧɢ ɣɨɝɨ ɪɨɡɬɚɲɭɜɚɧɧɹ ɇɚɩɪɢɤɥɚɞ ɞɥɹ ɩɿɜɧɿɱɧɢɯ ɬɟɪɢɬɨɪɿɣ ɛɿɥɶɲɟ ɩɿɞɯɨɞɹɬɶ ɮɚɫɚɞɢ ɛɭɞɢɧɤɿɜ ɨɮɨɪɦɥɟɧɿ ɜ ɬɟɦɧɢɣ ɤɨɥɿɪ ɬɨɦɭ ɳɨ ɜɿɧ ɤɪɚɳɟ ɿ ɲɜɢɞɲɟ ɧɚɝɪɿɜɚɽɬɶɫɹ ɚ ɨɬ ɞɥɹ ɠɢɬɟɥɿɜ ɩɿɜɞɧɹ ɤɪɚɳɿ ɫɜɿɬɥɿ ɜɿɞɬɿɧɤɢ ɨɫɤɿɥɶɤɢ ɜɨɧɢ ɝɿɪɲɟ ɩɪɢɬɹɝɭɸɬɶ ɬɟɩɥɨ ɉɪɨɛɥɟɦɚ ɪɟɝɭɥɸɜɚɧɧɹ ɨɫɜɿɬɥɟɧɨɫɬɿ ɭ ɳɿɥɶɧɿɣ ɦɿɫɶɤɢɣ ɡɚɛɭɞɨɜɿ ɦɨɠɟ ɬɚɤɨɠ ɜɢɪɿɲɭɜɚɬɢɫɶ ɩɪɢ ɡɚɫɬɨɫɭɜɚɧɧɿ ɪɿɡɧɢɯ ɤɨɥɶɨɪɿɜ ɮɚɫɚɞɿɜ ɛɭɞɿɜɟɥɶ ɜɿɞ ɫɜɿɬɥɨɝɨ ɞɨ ɬɟɦɧɿɲɨɝɨ ɜɿɞ ɦɚɬɨɜɨɝɨ ɞɨ ɛɥɢɫɤɭɱɨɝɨ ɳɨ ɡɚɛɟɡɩɟɱɭɽɬɶɫɹ ɪɿɡɧɢɦɢ ɫɬɭɩɟɧɹɦɢ ɜɿɞɛɢɬɬɹ ɫɜɿɬɥɚ ɞɥɹ ɪɿɡɧɢɯ ɤɨɥɶɨɪɿɜ Ɍɚɤ ɧɚɣɛɿɥɶɲɢɣ ɤɨɟɮɿɰɿɽɧɬ ɜɿɞɛɢɬɬɹ ɞɥɹ ɛɿɥɨɝɨ ɤɨɥɶɨɪɭ ± 65± ɞɥɹ ɡɟɥɟɧɨɝɨ ɬɚ ɫɢɧɶɨɝɨ ±45%, ɱɨɪɧɨɝɨ ±10% [8].…”