Breaking Down Barriers 2018
DOI: 10.1007/978-3-319-75028-6_5
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Enhancing the Fashion and Textile Design Process and Wearer Experiences

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Cited by 5 publications
(5 citation statements)
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References 31 publications
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“…The work of Sarcone (2017) can be useful in the development of this study as it touches on the psychology of body image; as well as, body image and fashion, allowing for a deeper understanding that is valuable to the study. Moody, Langdon and Karam (2018) cite Moody et al, (2009Moody et al, ( , 2010 and Kang, Johnson and Kim (2015), substantiating the theory that one's behaviour, emotions and cognition are potentially impacted by fashion, overall having the ability to shape the "well-being" of the user. Again, this literature works to prove the theory and objectives being researched in this study, as FT can be used to better one's emotions, cognition and actions, which in turn has a positive impact on one's body image.…”
Section: Body Image and Fashionmentioning
confidence: 84%
“…The work of Sarcone (2017) can be useful in the development of this study as it touches on the psychology of body image; as well as, body image and fashion, allowing for a deeper understanding that is valuable to the study. Moody, Langdon and Karam (2018) cite Moody et al, (2009Moody et al, ( , 2010 and Kang, Johnson and Kim (2015), substantiating the theory that one's behaviour, emotions and cognition are potentially impacted by fashion, overall having the ability to shape the "well-being" of the user. Again, this literature works to prove the theory and objectives being researched in this study, as FT can be used to better one's emotions, cognition and actions, which in turn has a positive impact on one's body image.…”
Section: Body Image and Fashionmentioning
confidence: 84%
“…While many studies in design and emotion focus on emotional design, this article investigates the artisanal skills that make them identical from each other and socioemotions on the process of crafting. Moody and Kinderman (2019) have demonstrated that designers' personality traits are expressed in their work and serve as factors in moderating the designs of fashion or textile products. As such, the core concepts of this study shift between emotional aspects of design, localism, craftsmanship focusing on artisans-the designers of crafts-in the perspective of their socio-emotional identities.…”
Section: Emotions In Design Practicementioning
confidence: 99%
“…Furthermore, prior to the pandemic, articles discussed: VR's capacity to educate consumers about the lifespan of garment production, consumption, and disposal, to raise awareness of climate effects [93]; customisation and 3D simulation technology to enable efficiencies and decrease wastage [48,49,51,[53][54][55]; and tackling the issue of the lack of tactile feedback in virtual products, which has implications for both designers and customers [50].…”
Section: Thematic Overviewmentioning
confidence: 99%
“…As discussed elsewhere in this review, earlier immersive technology solutions tended to be 3D visualisations or simulations and CAD, but that should not designate those topics as historical concerns. The technology for the 3D design of garments, particularly the fit and flow of material on a moving human body with multiple body sizes, is evolving and remains a challenging technological endeavour [48,50,61,68,86,87,89]. Some of the papers reviewed focused on mass customisation as a new offering enabled by 3D visualisation technologies [46,49,88], and one examined the potential for haptics to replicate the real-world design process [50].…”
Section: Design Development and Productionmentioning
confidence: 99%