Abstract:This article examines the cultural anxieties and utopian impulse in the post-Mao early 1980s through a symptomatic reading of two paradigmatic texts of the “roots-searching” literature. Essential to the two novels is the pervasive obsession with the disappearance and evaporation of the river. Instead of reading the representations of the river in aesthetical terms, the article foregrounds the river as the central trope of symptom in testimony to post-Mao social, political, and ecological malaise and the utopia… Show more
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