Search citation statements
Paper Sections
Citation Types
Year Published
Publication Types
Relationship
Authors
Journals
Most models of cultural globalization describe circulation to and around conventional cultural centers. The art world becomes more inclusive, but its fundamental hierarchies remain in place. In this paper, we describe another form of cultural globalization called “decentering”, which involves the circulation and increased interconnectedness between peripheries, either with or without their integration to cultural centers. Using a mixed methods approach, we examined the global circulation of artists from Argentina, Lebanon, and South Korea in the past 20 years (2000–2019). The results show their works circulated to a broader range of destinations, more rapidly than their early artistic cohorts, without necessarily passing through traditional art centers. This trend was particularly true for younger artists. We attribute the increasing prominence of decentering to three factors: (1) The mobility of early artists that enables later artists to gain recognition without physically migrating, (2) the role of vernacularizers, and (3) labeling as categorization. Our research contributes to understandings of cultural globalization by demonstrating how these factors broaden the geographies of the global contemporary art world and encourage more vibrant artistic circulation within and between peripheries.
Most models of cultural globalization describe circulation to and around conventional cultural centers. The art world becomes more inclusive, but its fundamental hierarchies remain in place. In this paper, we describe another form of cultural globalization called “decentering”, which involves the circulation and increased interconnectedness between peripheries, either with or without their integration to cultural centers. Using a mixed methods approach, we examined the global circulation of artists from Argentina, Lebanon, and South Korea in the past 20 years (2000–2019). The results show their works circulated to a broader range of destinations, more rapidly than their early artistic cohorts, without necessarily passing through traditional art centers. This trend was particularly true for younger artists. We attribute the increasing prominence of decentering to three factors: (1) The mobility of early artists that enables later artists to gain recognition without physically migrating, (2) the role of vernacularizers, and (3) labeling as categorization. Our research contributes to understandings of cultural globalization by demonstrating how these factors broaden the geographies of the global contemporary art world and encourage more vibrant artistic circulation within and between peripheries.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
customersupport@researchsolutions.com
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.