Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research
Patrick Valiquet
Abstract:This chapter uses the discourse of musicological lateness as an index of the changing capacity of contemporary music production in European universities to function as a source of institutional critique, and then stakes out a dissenting perspective on the political economy of music research today to show how historiographical and epistemological feelings have changed since musicology began to lag. Critique is framed in a ‘non-modern’ perspective emphasising the actions of institutions and governments as machin… Show more
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