Estimation of viewers’ ratings of TV programs based on behaviors in home environments

Takahashi, Masaki; Clippingdale, Simon; Naemura, Masahide; Shibata, Masahiro

doi:10.1007/s11042-014-2352-0

Cited by 13 publications

(5 citation statements)

References 18 publications

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“…Star China Media produces I Sing which is broadcasted on Zhejiang TV; The Voice of the Silk Road is produced by Talpa and is aired on Xinjiang Television a county TV channel. In Hong Kong, for instance, a company such as R by R limited presents a series of a weekly travel show with a set in Japan (Takahashi et al, 2015).…”

Section: Screening Reality Tv In Chinamentioning

confidence: 99%

“…In this regard, South Korea's star system and reality show have a perfect combination, thus creating Korean characteristics of the star reality show. Based on this style, China's introduction of "Daddy Go where" and "Run Bar" have adopted this star system, in the program to obtain the viewing craze at the same time, but also popular to participate in the production of real people, so that their image is fuller and more beloved (Richeri, 2016;Takahashi et al, 2015;Yiming, 2020).…”

Section: Quality Fragmentationmentioning

confidence: 99%

“…In terms of content and messages that are crafted in the needs of the consumers. Different from the western reality TV shows where they are majorly focused on the idols, the changing trends of China reality TV shows have created a different narrative in fostering the element of humanity and humour but solving social problems in general (Richeri, 2016;Takahashi et al, 2015;Zhang & Guo, 2012). Although the multiple languages that are spoken in African countries prove to be a challenge, China has invested in these countries structurally by the provision of technology-enabled devices for the access of the reality TV shows.…”

Section: Quality Fragmentationmentioning

confidence: 99%

“…The performance environment for these reality TV shows has also transformed from the initial field to the indoor, studio and concert-style of the giant stage. The audience is directly addicted to the colorful style of these TV shows (Takahashi et al, 2015;Zhang & Guo, 2012), making them accessible in the technological age in China.…”

Section: Introductionmentioning

confidence: 99%

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Ong’ong’a: Edutainment through Reality TV Shows in China and its Export

Oloo

2021

SHE

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In recent years, the Chinese media has grown vastly with the country’s interest in the investment in the developing countries. As the relationship with these countries become, so as the influence of Chinese culture towards the nations through the ever-growing Chinese media. Since the implementation of significant projects in Africa, Caribbean and Asia countries by Chinese government, the Chinese media have been characterized in localizing their TV contents to compete with the host countries and stretching their sense of soft power to these nations. Although they have faced significant challenges in terms of cultural difference, and technological development, the Chinese reality TV shows have continued to be part of the regular host countries' TV program diet while facing fierce standpoint from the initial global dominant media in these markets. This paper analyses these trends in focus on the Chinese reality TV shows that have hit the host countries' market as well as the motivation of their evolution. The article traces the extent of these strategies to be leveraged by states to balance their local production and foster cordial relation with China in a context of edutainment. It is imperative to analyze the development of this crucial phenomenon in the ontological perspective of the internationalization and marketization of products. The article addresses these issues by drawing attention from different players in this conspicuous field.

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Section: Screening Reality Tv In Chinamentioning

confidence: 99%

Section: Quality Fragmentationmentioning

confidence: 99%

Section: Quality Fragmentationmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

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Ong’ong’a: Edutainment through Reality TV Shows in China and its Export

Oloo

2021

SHE

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“…For example, there have been studies that examined the relationship between EEG and self-reported emotional states for music content [60], [61] and video content (movie) [62]. Takahashi et al examined the role of observable behaviors (body posture, head rotation), which were recorded using an RGB-D camera, to assess viewers' attitudes to TV programs [63].…”

Section: Emotion and Motivationmentioning

confidence: 99%

A Survey on Modeling of Human States in Communication Behavior

Niida

Tsugawa

Suganuma

et al. 2017

IEICE Trans. Commun.

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SUMMARY The Technical Committee on Communication BehaviorEngineering addresses the research question "How do we construct a communication network system that includes users?". The growth in highly functional networks and terminals has brought about greater diversity in users' lifestyles and freed people from the restrictions of time and place. Under this situation, the similarities of human behavior cause traffic aggregation and generate new problems in terms of the stabilization of network service quality. This paper summarizes previous studies relevant to communication behavior from a multidisciplinary perspective and discusses the research approach adopted by the Technical Committee on Communication Behavior Engineering.

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