This article seeks to capture the reconfigurations of Islamic morality in England through a collection of snapshots depicting the new actors who have made their apparition in public in the post 9/11 and 7/7 context. While underlying the unintended and paradoxical effects of neoliberalism and of state interventions in the domain of "race relations," it displaces current debates on "Islamism" from a focus on organized religious movements to one that is sensitive to everyday social practices, embodied performances, and cultural assemblages. Islam in England is envisioned as a "framework," in the sense of Charles Taylor (1989), for exploring the Self and identity and for promoting the "good ethical life." Building on Lambek's (2010) notion of "ordinary ethics," I argue that Islamic morality does not automatically derive from norms promoted by religious institutions but is rather shaped by everyday practices and interactions. These dynamics are apprehended through snapshots collected during ethnographic "flâneries" in various British cities. The processes of differentiation and assimilation they reveal provide a basis for the phenomenological interpretation of Islam as it is enmeshed in the everyday world of "multiple modernities."This text is an attempt to depict the new cultural assemblages and moral constellations born out of the encounter between Islam and the British public sphere. It builds on ethnographic anecdotes collected during successive periods of fieldwork conducted between 2009 and 2014 in various British cities and focuses on spaces where Islam has become a visible feature of the multicultural landscape. Using Nilüfer Göle's metaphor of "snapshots" (2000) as methodological entry points into "multiple modernities," this essay seeks to trace the diversity of British Islam as it unfolds in various urban cosmopolitan settings. By putting these fragments together, my aim is to complicate current representations of Islam and highlight its intrinsic heterogeneity as well as its entanglement within broader neoliberal forces and political projects put in place in the post-9/11 context and, more precisely, after the 7/7 London bombings that took place in 2005. These political interventions aimed at governing Muslims have had unintended and surprising effects. By targeting a specific section of the population, earlier forms of solidarity that existed across communities have been challenged and moral panics around the supposed "islamization of Britain" have emerged. Concurrently, this new attention to the "Muslim other" has increased Islam's visibility by promoting new actors (and marginalizing others) as well as new ways of being in public. These dynamics have been responsible for the transformation of the British public sphere, blurring the lines between the "religious" and the "secular," opening up new possibilities for exploring the Self and creating new political spaces for identity making. They have simultaneously transformed the conceptions, ideals, practices, and institutions of Islamic religious life itse...