Ethnodoxological Reflection on the Choral Arrangement ‘Zamina Mina Yeako Aba’: The Arranger’s Perspective

Abstract

This article examined the choral arrangement Zamina Mina Yeako Aba from an ethnodoxological perspective, drawing on an original music video, Zamina Mina Waka Waka, by the Zangalewa Band from Cameroon. Positioned as a composer, The researcher contextualized the choral arrangement against the historical and migration-related background of the Makossa ensemble. The study offered valuable insights into the choral arrangement of Zamina Mina Yeako Aba by exploring its linguistic and cultural origins. This article employed ethnomusicological and ethnodoxological approaches to scrutinize the choral arrangement, specifically focusing on the latter and exploring its cultural and spiritual aspects. This study examined the choral arrangement within its cultural setting, considering elements such as performance practices, compositional devices, cultural perspectives, and conversations with native Cameroonians and Ghanaians. Ethnodoxology, an interdisciplinary field, examines how various cultures articulate their worship through artistic mediums, particularly music in this instance. The article argued for fuller inclusion of Zamina Mina Yeako Aba and similar choral arrangements in global Christian worship and highlighted their inherent biblical themes. The significance of these arrangements extends beyond their musical qualities and highlights their role in preserving cultural heritage, promoting unity, and contributing to the broader landscape of global Christian music. This study showed how the seamless fusion of Western and African musical elements creates a synergistic effect. Through ethnodoxological insights into the choral arrangement, it reveals the deep connection between spirituality, tradition, and music in cross-cultural music-making. Keywords: Ethnodoxology, Ethnomusicology, Zamina Mina, Makossa Ensemble, Cross-cultural Music Making, Cultural Heritage.