European fiction—Facts or music?

Wagner, Aleksandra; Blažeković, Zdravko

doi:10.1016/0191-6599(95)92978-4

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“…Ameriška glasba namreč v resnici korenini v evropski umetniški glasbi 18. in 19. stoletja; po drugi strani pa se zdi, da so specifi čne značilnosti ameriške glasbe prve polovice 20. stoletja povezane predvsem s prevzema-1 Zanimivo je tudi, da se vprašanju »evropskosti« glasbe posvečajo predvsem muzikologi glasbeno »manjših« nacij, ki na ta način iščejo legitimacijo za vključevanje v širši bazen evropske in s tem umetniške glasbe. Tako med pomembnejšimi razpravljavci srečamo na primer muzikologe iz nekdanje skupne države -Marijo Bergamo (Bergamo, 1993(Bergamo, , 1995, Nikšo Gliga (Gligo 1995), Aleksandro Wagner in Zdravka Blažekovića (Wagner 1995), Bojan Bujića (Bujić 1993), Evo Sedak (Sedak 1993) -ali neevropske znanstvenike (Covell 1993).…”

Section: Gregor Pompeunclassified

Evropska glasba? – Nemuzikološko vprašanje

Pompe¹

2008

ars

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Th e question of the existence of "European music" raises in the fi eld of musicology problems of a diff erent nature than those posed, for example, in the fi eld of comparative literature by the notion of "European literature". Musicologists are mainly concerned with the diff erences between European and non-European music, however in everyday life the idea that music is a universal "language" is widespread. We need to distinguish, though, between the various manifestations of music which coexist on diff erent cultural (national), sociological and aesthetic levels. Th e study of western art music shows that the dichotomy between national/regional, on the one hand, and universal on the other is a paradoxical one -national music is oft en performed using universal techniques and indeed a typical national style can outgrow its original home territory to become an international style. Th us diff erent musics ("languages") should be seen as rational musical systems comprising by defi nition a diversity of musical norms and conventions. European music exists as a historical succession of such musical systems.

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Section: Gregor Pompeunclassified

Evropska glasba? – Nemuzikološko vprašanje

Pompe¹

2008

ars

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European fiction—Facts or music?

Cited by 1 publication

References 1 publication

Evropska glasba? – Nemuzikološko vprašanje

Evropska glasba? – Nemuzikološko vprašanje

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