Evaluating movement qualities with visual feedback for real-time motion capture

Abstract

The focus of this paper is to investigate how the design of visual feedback on full body movement affects the quality of the movements. Informed by the theory of embodiment in interaction design and media technology, as well as by the Laban theory of effort, a computer application was implemented in which users are able to project their movements onto two visuals ('Particle' and 'Metal'). We investigated whether the visual designs influenced movers through an experiment where participants were randomly assigned to one of the visuals while performing a set of simple tasks. Qualitative analysis of participants' verbal movement descriptions as well as analysis of quantitative movement features combine several perspectives with respect to describing the differences and the change in the movement qualities. The qualitative data shows clear differences between the groups. The quantitative data indicates that all groups move differently when visual feedback is provided. Our results contribute to the design effort of visual modality in movement-focused design of extended realities. CCS CONCEPTS• Human-centered computing → Visualization design and evaluation methods; Interaction design process and methods; • Computing methodologies → Motion capture;

Digitizing Intangible Cultural Heritage Embodied: State of the Art

“…More recently, MoCap has become a key recording tool for movements or maneuvers of performative cultures, such as Cypriot folk dances [143], Southeast Asian traditional dances [119], contemporary dances [19,147], martial arts [28], combative sports [161], as well as reference gestures of traditional crafts [125]. There is also a contemporary trend to exploit MoCap as an extended interface for augmented performance [63ś65], real-time dance evaluation [11,74,101,139], embodied training and education [80,134], and human-computer co-improvisation [103].…”