2006
DOI: 10.1007/bf03037336
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Evaluation of automatic generation of basic stories

Abstract: This paper presents an application that automatically generates basic stories: short texts that only narrate the main events of the plot. The system operates with a representation in Description Logics, combining stored fabulas with the narrative knowledge implemented in a domain-specific ontology. The domain of application is the traditional folk tale, using the wellknown morphology of Vladimir Propp as narratological background. In order to evaluate the results, human judges blindly compared one of the gener… Show more

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Cited by 39 publications
(19 citation statements)
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“…For instance, in a study on morphology of the folktale [25], Propp showed that there are some thirty-one functions that encompass all of the plot components from which fairy tales were constructed. These thirty-one functions have become the foundation of several story generation systems including MIN-STREL [34], MEXICA [35], BRUTUS [4], STORYBOOK [5], and KIIDS [22]. In those systems, case-based reasoning is used as a prime reasoning tool for matching user requests with existing templates in the story databases.…”
Section: Related Workmentioning
confidence: 99%
“…For instance, in a study on morphology of the folktale [25], Propp showed that there are some thirty-one functions that encompass all of the plot components from which fairy tales were constructed. These thirty-one functions have become the foundation of several story generation systems including MIN-STREL [34], MEXICA [35], BRUTUS [4], STORYBOOK [5], and KIIDS [22]. In those systems, case-based reasoning is used as a prime reasoning tool for matching user requests with existing templates in the story databases.…”
Section: Related Workmentioning
confidence: 99%
“…: how to create something new and useful at the same time [12]. But the introduction of semantic reasoning can improve the performance of computational creativity.…”
Section: Related Workmentioning
confidence: 99%
“…[33], [3], [5], [26]). Therefore, we neither refer to models of narrative theory, such as Propp's, nor to generative models of interactive storytelling (such as, for example, [25]). We aim to test the expressive qualities of an existing ontology of drama, Drammar [20].…”
Section: Introductionmentioning
confidence: 99%