State of the art -subjects and range within contemporary researchNarratives and the notion of Europe are closely interconnected, both by cultural frameworks of what constitutes Europe and 'being European', and by EU-related stories crafted for political purposes. In a broader, much more paradigmatic perspective, narrative inquiry suggests that stories, as constructed and reconstructed by agents, are to be considered constituents of social interaction and phenomena, in general. Narratives construct and constrain individual and group identity (Hyvärinen et al., 2010;Loseke, 2007;Somers, 1994;Weick, 1995). What is more, they do construct phenomena agents perceive as reality (Bruner, 1991) by organizing identities into cultural or political institutions (Ewick & Silbey, 1995). Through the use of narratives and stories humans create a sense of meaning and purpose between fragmented events and experiences. Experiences are meaningful parts of shaping humans' stories about themselves (Johansen, 2012;McAdams, 1996) with regard to the social context they relate to. In exactly this sense, narratives contribute to the construction of 'Europe' and its political representation, the European Union (EU), as meaningful entities, and they appear in various forms in relation to the process of European integration, thereby shaping and permeating countless dimensions of social life (for an overview of European narratives and counter-narratives cf. Bârğaoanu et al., 2017). This has been clearly demonstrated by an abundance of research literature coming from scientific disciplines such as anthropology, cultural studies, economics, geography, history, law, literary studies, political science and sociology (although the latter, we would argue, to date plays a somewhat minor role in this field). Thus, corresponding narratives have been crafted and construed, passed on and modified by various intellectuals, writers, artists, scholars and politicians (Chenal & Snelders, 2012;Dittmer, 2014;Forchtner & Kølvraa, 2012;Petrović, 2017) as well as by newspapers (Rovisco, 2010). Sometimes, this occurs in a professionally fabricated manner as in the case of the European Commission's attempt to foster a 'new narrative for Europe' (