“Everything Is Different the Second Time Around”

Silverman, Rachel E.; Ryalls, Emily D.

doi:10.1177/1527476416647496

Cited by 18 publications

(4 citation statements)

References 25 publications

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“…(e.g. Adam, 2002;Hartman, 2008;Adams et al, 2009;Atkinson, 2013;Silverman and Ryalls, 2016;Sharma, 201;Sharpe, 2016). In her important work on time, Sharma (2014) proposes the concept of 'temporal-architectures', to account for ways of organising the temporal that arise from the social and also produce the social.…”

Section: Time Methods Performativity Temporality Londonmentioning

confidence: 99%

The social life of time and methods: Studying London’s temporal architectures

Harris

Coleman

2020

Time & Society

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This paper contributes to work on the social life of time. It focuses on how time is doubled; produced by, and productive of, the relations and processes it operates through. In particular, it explores the methodological implications of this conception of time for how social scientists may study the doubledness of time. It draws on an allied move within the social sciences to see methods as themselves doubled, as both emerging from and constitutive of the social worlds that they seek to understand. We detail our own very different methodological experiments with studying the social life of time in London, engaging interactive documentary to elucidate nonlinear imaginaries of space-time in London’s pop-up culture (Ella Harris) and encountering time on a series of walks along a particular stretch of road in south east London (Beckie Coleman). While clearly different projects in terms of their content, ambition and scope, in bringing these projects together, we show the ability of our methods to grasp and perform from multiple angles and scales what Sharma (2014) calls ‘temporal architectures’. Temporal architectures, composed of elements including the built environment, commodities, services, technologies and labour, are infrastructures that enable social rhythms and temporal logics and that can entail a politicized valuing of the time of certain groups over others. We aim to contribute to an expanded and enriched conceptualisation of methods for exploring time, considering what our studies might offer to work on the doubled social life of time and methods, and highlighting in particular their implications for an engagement with a politics of time and temporality.

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Section: Time Methods Performativity Temporality Londonmentioning

confidence: 99%

The social life of time and methods: Studying London’s temporal architectures

Harris

Coleman

2020

Time & Society

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“…This ability to decide is not only limited to the type of content to watch but also allows the viewers to decide upon the way it can be consumed. An example of this is the phenomenon of binge-watching (Silverman, Ryalls, 2016).…”

Section: Vod Platforms -Definitions Classification and Characteristicsmentioning

confidence: 99%

The media marketing of the VOD platforms in Poland during the COVID-19 pandemic – an exploratory study

Jupowicz-Ginalska¹,

Wróblewska²

2021

Zarz. Mediami

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The article attempts to map and systematise the changes and reactions triggered by the first wave of the COVID-19 epidemic in media marketing (MM) of VOD platforms operating in Poland. The aim of the authors is to capture general trends and regularities that appear in the industry practices, as well as to indicate, firstly, the most meaningful elements of MM (the product offer, distribution, price, and marketing communication), and secondly – to identify the VOD platforms that excelled in these changes. The paper, using the content analysis method, is the first to present a cross-sectional research perspective on the MM-VOD-COVID-19 line, aiming not only to initially estimate the actual media modifications caused by the pandemic, but also to classify them in order to lay the foundation for further research in case this type of situation recurs.

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“…A pesar de su reciente andadura televisiva, ha motivado profusas investigaciones que parten de los estudios de género (Artt & Schwan, 2016;Fernández & Menéndez, 2016;Schwan, 2016;McKeown & Parry, 2017). De la misma manera, la discriminación racial en prisión también es un recurrente tema de estudio (Caputi, 2015;Enck & Morrisey, 2015;Aguado & Martínez, 2016;Belcher, 2016), junto a la construcción de la línea temporal de la serie (Silverman & Ryalls, 2016), las ocupaciones laborales de las protagonistas (Pramaggiore, 2016) o la estrategia promocional de Netflix (DeCarvalho & Cox, 2016).…”

Section: Algunas Series Norteamericanas Como Allyunclassified

Diversidad entre rejas: Estereotipos e identidad de género en la ficción televisiva Orange is the New Black

Sesumaga

2018

Comunicación y Medios

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La multiplicidad de plataformas y canales en la llamada Tercera Edad De Oro de la Televisión ha generado una expansión de la oferta ficcional, donde tienen cabida nuevos formatos, historias y personajes. Con un elenco mayoritariamente femenino, Orange is the New Black acerca a la audiencia la vida de un grupo de mujeres en prisión. Este trabajo de investigación ahonda en la representación de la identidad de género de sus protagonistas, determinando qué factores influyen en la manera de retratarlas. El análisis en profundidad de catorce personajes femeninos permite detectar ciertos estereotipos y valores asociados al tradicional modelo patriarcal. Sin embargo, la inicial representación de los cánones sociales y de belleza imperantes, personificados a través de la protagonista (Piper Chapman), abre la puerta a múltiples modelos de feminidad y a la visibilización de colectivos minoritarios.

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“Everything Is Different the Second Time Around”

Cited by 18 publications

References 25 publications

The social life of time and methods: Studying London’s temporal architectures

The social life of time and methods: Studying London’s temporal architectures

The media marketing of the VOD platforms in Poland during the COVID-19 pandemic – an exploratory study

Diversidad entre rejas: Estereotipos e identidad de género en la ficción televisiva Orange is the New Black

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