2013
DOI: 10.1080/10409289.2013.773254
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“Everything's Upside Down. We'll Call It Upside Down Valley!”: Siblings’ Creative Play Themes, Object Use, and Language During Pretend Play

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Cited by 29 publications
(26 citation statements)
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“…However, the use of metacommunication, important for the planning and execution of play episodes was given limited attention, which is an essential aspect of mature play (Bodrova et al, 2013). Meanwhile, studies which have examined children's use of meta-language within play episodes can focus on children's object substitution and peer collaboration, rather than their role enactments (Howe, Abuhatoum, & Chang-Kredl, 2014;Leach, 2012).…”
Section: Assessment Of Children's Dramatic Play Behaviourmentioning
confidence: 99%
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“…However, the use of metacommunication, important for the planning and execution of play episodes was given limited attention, which is an essential aspect of mature play (Bodrova et al, 2013). Meanwhile, studies which have examined children's use of meta-language within play episodes can focus on children's object substitution and peer collaboration, rather than their role enactments (Howe, Abuhatoum, & Chang-Kredl, 2014;Leach, 2012).…”
Section: Assessment Of Children's Dramatic Play Behaviourmentioning
confidence: 99%
“…They were designed to identify developmental deficiencies and to categorise children's dramatic play behaviour, in order to plan an appropriate intervention. These assessments are often performed in clinical settings, where the peers, objects and time provided to children to play are controlled by the researcher and/or therapist (Howe et al, 2014;Stagnitti, 2009). In these situations children may not have had experience with the objects, or the concept of the theme provided, within their social world.…”
Section: Assessment Of Children's Dramatic Play Behaviourmentioning
confidence: 99%
See 1 more Smart Citation
“…In the process, children must jointly determine the play theme and interpret the play actions, sometimes as pretense as opposed to real events or actions (Göncü, ), as well as jointly establish rules to guide the play scenario (El'Konin, ; Göncü & Kessel, ; Vygotsky, ). Moreover, messages must be communicated effectively to form these shared meanings (Bateson, ; Farver, ; Garvey, ; Göncü, ); specifically, children must co‐construct a shared understanding about roles, dialogue, joint actions, object transformations, and the story line (Howe, Petrakos, & Rinaldi, ; Howe, Petrakos, Rinaldi, & LeFebvre, ; Howe, Abuhatoum, & Chang‐Kredl, ). By definition, these negotiation acts are dynamic, bidirectional, and may expand on one's own or the partner's play actions and ideas, as well as creating agreements about the play; these interactions become increasingly shared and more complex from ages 3 to 4.5 years (Göncü, ).…”
Section: Introductionmentioning
confidence: 99%
“…The findings from this study have implications for parents, early childhood educators, and other adults working with young children. The importance of the adult in creating an environment that promotes play and creativity is well known (Eckhoff & Urbach, ; Howe et al, ). Our findings suggest that shapes with decreased specificity (i.e., generic shapes) increase the possible substitutions children consider for objects.…”
Section: Discussionmentioning
confidence: 99%