“…Approaches included: Discussions among team members (e.g.,Mill, 2001;Mill et al, 2010;Wainberg et al, 2007), joint coding (e.g.,Andrasik et al, 2012;Burkhalter et al, 2013;Lorion, 2004;Maher et al, 2007;Matebeni, Reddy, Sandfort, & Southey-Swartz, 2013;Mohatt et al, 2004), "talking circles"(Schinke et al, 2010), and interpreting maps(Amsden & VanWynsberghe, 2005) and images(Foster-Fishman et al, 2005;Jacobs & Harley, 2008). As well, the participatory nature of the arts-based photovoice method includes participantled analysis of the meaning of their photos (e.g.,Aldridge, 2007;Garner & Faucher, 2014;Taggart et al, 2013;Vaughan, 2014) Cotterell (2008). describes a robust process of collaborative and iterative analysis including a "series of 10 analysis sessions in which all transcripts were analyzed in turn, four theme generation sessions, one session to expand or collapse the analysis into final themes, and, lastly, a session to integrate phase one and two themes where possible" (p. 667) Hutnik, Smith and Koch (2012).…”