2009
DOI: 10.1080/10286630902811148
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Exporting national culture: histories of Cultural Institutes abroad

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Cited by 70 publications
(37 citation statements)
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“…The modern practice of promoting culture, language, and education across borders developed in continental Europe during the 1870s. It was typically conducted by nonstate actors such as “volunteers, societies, churches, clubs and associations.” These activities were aimed at the overseas cultural nation (i.e., ethnic diasporas) in colonies or territories adjacent to the homeland, or toward “contested spheres of influence” where cultural, linguistic, or economic hegemony was the subject of colonialist competition (Paschalidis, , pp. 277–279).…”
Section: Origins Of the Fields: Culture Nationalism And Internationmentioning
confidence: 99%
“…The modern practice of promoting culture, language, and education across borders developed in continental Europe during the 1870s. It was typically conducted by nonstate actors such as “volunteers, societies, churches, clubs and associations.” These activities were aimed at the overseas cultural nation (i.e., ethnic diasporas) in colonies or territories adjacent to the homeland, or toward “contested spheres of influence” where cultural, linguistic, or economic hegemony was the subject of colonialist competition (Paschalidis, , pp. 277–279).…”
Section: Origins Of the Fields: Culture Nationalism And Internationmentioning
confidence: 99%
“…Rather, the meaning of cultural diplomacy varies depending on the context. Therefore, this study firstly attempted to draw a historical outline on the basis of Paschalidis's (2009) four phases of cultural diplomacy: first, cultural nationalism (1870-1914); second, cultural propaganda (1914-1945); third, cultural diplomacy (1945-1989); and finally, cultural capitalism (1989-present).…”
Section: How To Define Cultural Diplomacy?mentioning
confidence: 99%
“…As mentioned earlier, however, the processes these terms entail have rarely been critically examined. Their emergence as tools of national self-promotion or what Raymond Williams (1984) once called the 'cultural policy of display' has been insufficiently unpacked (Paschalidis 2009). Nor has there been much analysis of their place in discourses of cultural nationalism, which is arguably a key dimension of cultural diplomacy as a governmental practice (Isar's paper in this volume uses Bhabha's (1990) distinction between 'pedagogical' and 'performative' dimensions of nationalist cultural display to address this issue).…”
Section: Introductionmentioning
confidence: 99%