A study of advanced level English students who read Coleridge's The Rime of the Ancient Mariner indicated that, after a lapse of 2 or more years, impactful loss (e.g., loss due to death) facilitated a mode of reading called expressive enactment. In this mode of reading: (a) stylistic features give narrative objects, characters, and places a sensuous and engaging presence; (b) mutations of the sensuously present "other" occur across striking or evocative reading moments; and (c) the reader becomes metaphorically identified with these transformations in ways that deepen self-perception. The moderating effects of vivid reminiscences on the relationship between loss and expressive enactment suggest that, just as the bereaved gradually become accepting of and perhaps drawn toward occasions that evoke poignant but ephemeral memories of the deceased, so, too, do they become accepting of and perhaps drawn toward the intense interplay between presence and absence that occurs during literary reading.The connection between loss, mournful mood states, and artistic creativity has a long and diverse history. It is reflected in the biographical writings of well known artists, especially poets (Ludwig, 1995), and it figures prominently in the psychoanalytic literature on creativity (Kristeva, 1989;Pollock, 1977). Also, it is 135