2002
DOI: 10.1080/10357820208713341
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Face to face: on‐line subjectivity in contemporary Japan

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Cited by 50 publications
(15 citation statements)
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“…As an important part of the paralinguistic cues in CMC and an emergent popular practice on the Internet services such as Internet relay chat and Instant Messaging, emoticons have attracted scholarly attention [9,[10][11][12]. Studies on emoticon use indicated that people primarily used them to express emotion, strengthen messages, and display humor or sarcasm [13] and emoticons are interpreted as a signal of emotional information in addition to a verbal message [14].…”
mentioning
confidence: 99%
“…As an important part of the paralinguistic cues in CMC and an emergent popular practice on the Internet services such as Internet relay chat and Instant Messaging, emoticons have attracted scholarly attention [9,[10][11][12]. Studies on emoticon use indicated that people primarily used them to express emotion, strengthen messages, and display humor or sarcasm [13] and emoticons are interpreted as a signal of emotional information in addition to a verbal message [14].…”
mentioning
confidence: 99%
“…In order to create this illusion, they draw on a great repertory of linguistic devices to mimic the register that most people would find appropriate for such types of computer-mediated communication (CMC). As a closer look at example (1) shows, there are indeed a great number of features commonly observed in Japanese CMC (see, e.g., Gottlieb 2010; Katsuno and Yano 2002;Miyake 2005Miyake , 2007Nishimura 2003Nishimura , 2010.…”
Section: Making It Realmentioning
confidence: 96%
“…Furthermore, while the portrayal of male yankī continued to thrive in popular media throughout the 1990s and 2000s, 15 representations of female versions of yankī, such as sukeban and redīsu, have sharply declined since the 1980s. Works such as the commercially successful Shimotsuma monogatari [Kamikaze Girls;2002] by Novala Takemoto [b. 1968] that tells the tale of an unlikely friendship between two girls-one a yankī (or redīsu to be more specifi c) and the other a rorīta (ロリータ; Lolita) 16 -are rare.…”
Section: Marie Kimmentioning
confidence: 99%