Abstract:In complicating understandings of art’s effects, critical theorists mobilize the notion of “openings” to surface simultaneously the unpredictability and indeterminacy of ethical engagement as well as its possibility. I explore the potential of these ideas and consider their application through Haley Morris-Cafiero’s photography on fatness and disability in her Wait Watchers series. Through problematizing surveillance and staring relations, between the observed Fat woman and her watchers, and interrogating the … Show more
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