“…These include: visual-motor synchrony, in which participants observe a hand moving in synch with one's own (Dummer, Picot-Annand, Neal, & Moore, 2009;Riemer, Kleinböhl, Hölzl, & Trojan, 2013;Walsh, Moseley, Taylor, & Gandevia, 2011); tactile-motor synchrony in which touching a fake hand while one's own hand is touched leads to the perception that the participant is touching their own other hand (Lopez, Bieri, Preuss, & Mast, 2012;White, Davies, & Davies, 2011); the ''rubber voice illusion'' (Zheng, Macdonald, Munhall, & Johnsrude, 2011) in which hearing a stranger speaking while saying the same words one's self led participants to experience the others voice as a distorted version of their own; between synchronous vision and pain stimulation (Capelari, Uribe, & Brasil-Neto, 2009); and by synchronising the rhythm of visual flashes on the fake hand to the rhythm of participants' heartbeat. These last two are particularly important, as they involve the integration of an interoceptive signal (pain, or implicit awareness of the heartbeat) with an exteroceptive signal (vision).…”