Female Embodiment, Contradiction, and<i>Ethos</i>Negotiations in Genevieve Stebbins’s Late Nineteenth-Century Statue-Posing Arguments

Bordelon, Suzanne

doi:10.1080/07350198.2019.1549440

Cited by 2 publications

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“…3.Bordelon (2016; 2019); Brandstetter (2015, 46–49); Ruyter (1973, 20 – 24; 1988; 1996; 1999, 45 – 56, 88 – 131).…”

Section: Notesmentioning

confidence: 99%

“…14.See Suzanne Bordelon's exploration of Stebbins's concept of “artistic” statue posing (2019, 30–36). Bordelon contended Stebbins legitimated her “artistic” statue posing by making it seem “part of Delsarte's ideas and lineage” (2019, 34) and argued that she did so in order to establish her authority and credibility as an artist (2016). …”

Section: Notesmentioning

confidence: 99%

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Forgotten “New” Dancer of New York City's Gilded Age: Genevieve Lee Stebbins and the Dance as Yet Undreamed

Mullan¹

2020

Dance Res. J.

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In the Gilded Age, Genevieve Lee Stebbins (1857–1934) became a dance soloist admired in New York City's theater world. Stebbins created a foundation from which a new “serious” dance aesthetic emerged and notably inspired the early dance work of Ruth St. Denis and Isadora Duncan; however, she remains an overlooked figure within American dance history. This article chronicles Stebbins's innovations and clarifies misrepresentations of her work in recent scholarship. Unlike other American dance pioneers, there is no public archive dedicated to Stebbins, therefore this article draws upon newly available primary sources to explore Stebbins's foundational work.

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“…3.Bordelon (2016; 2019); Brandstetter (2015, 46–49); Ruyter (1973, 20 – 24; 1988; 1996; 1999, 45 – 56, 88 – 131).…”

Section: Notesmentioning

confidence: 99%

Section: Notesmentioning

confidence: 99%

Forgotten “New” Dancer of New York City's Gilded Age: Genevieve Lee Stebbins and the Dance as Yet Undreamed

Mullan¹

2020

Dance Res. J.

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Radcliffe’s Strongest Woman: The Bricolaged Body in One Progressive Era Women’s College Scrapbook

Cooper

2022

Rhetoric Review

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Female Embodiment, Contradiction, andEthosNegotiations in Genevieve Stebbins’s Late Nineteenth-Century Statue-Posing Arguments

Cited by 2 publications

References 9 publications

Forgotten “New” Dancer of New York City's Gilded Age: Genevieve Lee Stebbins and the Dance as Yet Undreamed

Forgotten “New” Dancer of New York City's Gilded Age: Genevieve Lee Stebbins and the Dance as Yet Undreamed

Radcliffe’s Strongest Woman: The Bricolaged Body in One Progressive Era Women’s College Scrapbook

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