2022
DOI: 10.1080/14680777.2022.2154820
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“Female empowerment is being commercialized”: online reception of girl crush trend among feminist K-pop fans

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Cited by 5 publications
(2 citation statements)
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“…Nowadays, female empowerment seems to be the key trait of the "Hallyu", and how South Korean popular music promotes neoliberal feminism through a discourse of resilience, arises as a new problem for producers [3]. The current study has emphasized highlighting female subjectivity and empowerment is commercialized and serves to reinforce patriarchal gender norms [4]. However, there is not enough analysis of the positive effects on female audiences, such as the awakening of female consciousness.…”
Section: Introductionmentioning
confidence: 82%
See 1 more Smart Citation
“…Nowadays, female empowerment seems to be the key trait of the "Hallyu", and how South Korean popular music promotes neoliberal feminism through a discourse of resilience, arises as a new problem for producers [3]. The current study has emphasized highlighting female subjectivity and empowerment is commercialized and serves to reinforce patriarchal gender norms [4]. However, there is not enough analysis of the positive effects on female audiences, such as the awakening of female consciousness.…”
Section: Introductionmentioning
confidence: 82%
“…Nowadays, the entertainment industry chain has developed to a fairly sophisticated level, and some scholars argue that the image of idols is artificially shaped by the layers of management oversight due to the widespread use of exploitative management in idol production [5]. It has therefore been argued that the emerging concept of "girl crush" and the trend of emphasizing women's empowerment in the Korean pop industry is a highly commodified form of feminism that essentially maintains the patriarchal status quo and underlying gender dynamics in the Korean pop industry [4].…”
Section: The Evolution Of Korean K-pop Culturementioning
confidence: 99%