2004
DOI: 10.1007/s10164-003-0113-z
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Female recognition of trills in the male calling song of the field cricket, Teleogryllus taiwanemma

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Cited by 6 publications
(3 citation statements)
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“…The number of sound pulses perceived at each ear determines the overall walking direction. In a similar way in T. taiwanemma , the preference between two patterns with or without trill is caused by a difference in the number of pulses presented from each side (Honda‐Sumi, ). However, in the present no‐choice experiments, the response of the T. oceanicus females is not just determined by the number of pulses because the most attractive phrase paradigm (444 pulses) contain 7.5% less pulses than the chirp paradigm (480 pulses).…”
Section: Discussionmentioning
confidence: 99%
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“…The number of sound pulses perceived at each ear determines the overall walking direction. In a similar way in T. taiwanemma , the preference between two patterns with or without trill is caused by a difference in the number of pulses presented from each side (Honda‐Sumi, ). However, in the present no‐choice experiments, the response of the T. oceanicus females is not just determined by the number of pulses because the most attractive phrase paradigm (444 pulses) contain 7.5% less pulses than the chirp paradigm (480 pulses).…”
Section: Discussionmentioning
confidence: 99%
“…In Teleogryllus taiwanemma , however, the number of females preferring a song with or without trills does not differ significantly when the total sound duration per unit time is equalized. Experiments by Honda‐Sumi () suggest that the female preference when presented with two signals could be a consequence of different sound density of the stimulus paradigms. Similarly, female Gryllus bimaculatus show reactive steering and turn towards the side providing the larger number of pulses or chirps (Hedwig & Poulet, , ; Trobe et al , ) when presented with the temporal pattern of the conspecific calling song.…”
Section: Introductionmentioning
confidence: 99%
“…Crickets were individually maintained at 28°C and then their songs were recorded as described previously (Honda‐Sumi,2004). Each adult male was placed in a separate plastic cage (12.5 × 20 × 12.5 cm) and its calling song was recorded using a PCM recorder (Sony PCM‐D1, Tokyo, Japan) and a microphone (Sony ECM‐G5M, Tokyo, Japan).…”
Section: Methodsmentioning
confidence: 99%