2007
DOI: 10.1080/00497870701593739
|View full text |Cite
|
Sign up to set email alerts
|

Fembot Feminism: The Cyborg Body and Feminist Discourse inThe Bionic Woman

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2010
2010
2020
2020

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 6 publications
(3 citation statements)
references
References 2 publications
0
3
0
Order By: Relevance
“…She is tough, emotionally in control, calculating and is no longer an innocent. In fact, as portrayed by Sharp (2007), the cyborg has to get rid of her soft and gentle ‘female’ sensitivity, as this is incompatible with technological or masculine superiority. Thus the female cyborg's abilities and intellect are represented in masculinity, while her body performs her femininities.…”
Section: Resultsmentioning
confidence: 99%
“…She is tough, emotionally in control, calculating and is no longer an innocent. In fact, as portrayed by Sharp (2007), the cyborg has to get rid of her soft and gentle ‘female’ sensitivity, as this is incompatible with technological or masculine superiority. Thus the female cyborg's abilities and intellect are represented in masculinity, while her body performs her femininities.…”
Section: Resultsmentioning
confidence: 99%
“…In considering this technological context, we will refer both to the often overlooked gendered history of our writing implements, such as the typewriter, as well as discuss the wider and more abstract technologies of for example the peer‐reviewed journal, as well as the social technologies of textual representation in general. In thinking about the complicated ways in which gender is assigned to an author in the writing process, and to challenge the notion that we can reasonably reduce the act of writing — a mediated, technologically embedded practice — to a gender binary or to a gender identity, we find inspiration in our shared interest in the figure of the cyborg, as this has been used both in science and technology studies (e.g., Clynes and Kline, ; Gray, , ; Grenville, ), feminist theory (Balsamo, ; Campbell, ; Haraway, ; Sharp, ), organization studies (Muhr, ; Nyberg, 2009; Parker, , ) and as a trope in popular culture analysis (e.g., Bowring, ; Czarniawska and Gustavsson, ). Particularly important for our use of the cyborg metaphor is the way Haraway () uses the metaphor explicitly to challenge gender binaries.…”
Section: Enter the Cyborgmentioning
confidence: 99%
“…Female cyborgs are constructed as goddesses representing good and evil with the power to create and destroy (Giresunlu 2009), while male cyborgs are associated with hypermasculinity, hardness, and militaristic violence (Jeffords 1994). The original bionic woman (1976-1978), created in the context of second-wave feminism, walked a contradictory line between promotion of a powerful independent woman and an emphasis on sexuality and traditional codes of femininity (Sharp 2007). The present article extends this literature by including class as a pertinent category of analysis when examining the role of cyborg in popular culture.…”
Section: Introductionmentioning
confidence: 99%