Film Dangal Dalam Analisis Jacques Derrida

Abstract

This paper examines the Indian film Dangal which is taken from a true story about gender injustice experienced by female wrestling athletes. This fact encourages women's wrestling athletes' gender struggle efforts that result in gender equality. The courage of this film to raise the issue of gender struggle needs to be investigated using Jacques Derrida's analysis. By using descriptive-qualitative method and Derrida's philosophical analysis, this research finds several things. First, there is gender inequality experienced by Indian women in the field of wrestling because of the strength of the patriarchal system. Second, there is logocentrism, namely the logic of thinking that is centered on male authority which is detrimental to women. Third, there is a binary opposition that attaches women to evil while men to good. Third, gender struggle in the form of narrative battles to reveal differance, namely efforts to blur the meaning of women's traditional identities followed by deconstruction of the patriarchal system which finally achieves gender equality in the sport of wrestling.

ANALISIS SEMIOTIKA DISKRIMINASI GENDER DAN PEMECAHAN MASALAH GENDER PEREMPUAN DARI TOKOH AINUN PADA FILM HABIBIE & AINUN 3

“…Gender mencakup perbedaan sifat, peran dan sikap dari konstruksi sosial yang bermula dari perbedaan biologis, dilanjut pada pengidentikan yang berlangsung sampai pada perbedaan secara kodrat. (Minah and Kumari 2021) Menurut Cottingham dkk (Kouta and Kaite 2011), diskriminasi gender adalah setiap bentuk perilaku pembedaan dan pengucilan yang dibuat atas dasar kedudukan dan peran gender yang dibangun secara konsturksi sosial yang menghalangi individu untuk mengaktuskan HAM-nya secara utuh. Juga didukung oleh penelitian Patrick (Francois 1998) bahwa diskriminasi gender lebih cenderung sering terjadi pada rumah tangga.…”