Latin American Documentary Film in the New Millennium 2016
DOI: 10.1057/978-1-137-49523-5_15
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Filming Responsibly: Ethnicity, Community, and the Nation in Ana Lucía Cuevas’s El eco del dolor de mucha gente

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“…During the service, the participating university students outlined the filming plan, conducted fieldwork, cultivated their filming skills, learned to utilize storyboards for filming, wrote a script, and practiced film editing techniques. In addition to theories taught in classes, the students acquired valuable experiences when they explored touching true stories, witnessed the ordinary happiness reflected by these stories, and filmed a documentary integrating the local cultural landscapes and histories [32,33].…”
Section: Filming a Community Documentarymentioning
confidence: 99%
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“…During the service, the participating university students outlined the filming plan, conducted fieldwork, cultivated their filming skills, learned to utilize storyboards for filming, wrote a script, and practiced film editing techniques. In addition to theories taught in classes, the students acquired valuable experiences when they explored touching true stories, witnessed the ordinary happiness reflected by these stories, and filmed a documentary integrating the local cultural landscapes and histories [32,33].…”
Section: Filming a Community Documentarymentioning
confidence: 99%
“…Therefore, training courses for creating community documentaries have been provided. This enables community groups to develop autonomous media and express their civil power [33,34].…”
Section: Introductionmentioning
confidence: 99%