This article explores how stand-up comedy acts as a form of resistance in repressive societies, combining discussions of Judith Butler's concepts of performativity and subversion with empirical material from Zimbabwe, particularly as it pertains to patriotism and gender. It builds on extensive fieldwork material from Zimbabwe in 2018 and 2019, to argue that stand-up comedy provides a rare opportunity, despite severe restrictions to freedom of expression, where comedians articulate their opinion in front of a crowd. Notwithstanding harassment, arrests and abductions, comedians in Zimbabwe feel emboldened to speak-out about anything from politics, to relationships, power-cuts, fuel-queueing, weed-smoking and car troubles. Performing themselves onstage these comedians reinforce and resist norms; patriotism is situated within, but displaced from, a binary view of Zimbabwean party-politics; and patriarchal gender norms are contravened by empowered female comedians who perform both the 'rebellious' artists and caring mother. Interrogating these performances of the self enables us to see limits and possibilities of comedic resistance, and demonstrates how people continue to express themselves in political environments that attempt to silence.