Finding words: Aesthetic criticism and television

Abstract

Those endorsing or opposing the development of television aesthetics scholarship have exhibited an admirable willingness to reflect upon the rationales and motivations for formulating value judgements. However, very little equivalent attention has been afforded to processes that occur within this area: how scholars conduct analysis and develop claims for achievement in television. In addressing this lack, the following article surveys some of the meanings that ‘criticism’ has encompassed in Television Studies, offering ‘aesthetic criticism’ as a useful term to describe the work of analysis and evaluation, before moving to a series of close readings of aesthetic criticism in practice.