2006
DOI: 10.1353/tks.2006.0032
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Fitting Sense to Sound: Linguistic Aesthetics and Phonosemantics in the Work of J.R.R. Tolkien

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Cited by 16 publications
(5 citation statements)
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“…The most obvious instance of this would be when an author chooses a name for a character. They may—consciously or unconsciously—select a name that is congruent with the character’s personality, in order to highlight that personality for the audience (see Elsen, 2017; Kawahara, Noto, & Kumagai, 2018; Smith, 2006). Future research might examine the extent to which the associations observed here are present in works of fiction, as well as the impact of congruent/incongruent names on the reader’s experience of that fiction.…”
Section: Discussionmentioning
confidence: 99%
“…The most obvious instance of this would be when an author chooses a name for a character. They may—consciously or unconsciously—select a name that is congruent with the character’s personality, in order to highlight that personality for the audience (see Elsen, 2017; Kawahara, Noto, & Kumagai, 2018; Smith, 2006). Future research might examine the extent to which the associations observed here are present in works of fiction, as well as the impact of congruent/incongruent names on the reader’s experience of that fiction.…”
Section: Discussionmentioning
confidence: 99%
“…Other researchers have discussed instances of sound symbolism in the naming of characters in J. R. R. Tolkien’s The Lord of the Rings. For instance, Smith (2006) notes how well the sound of the name Tom Bombadil fits its “jolly, rumbustious owner” (p. 5). Given associations between round-sounding names and traits such as easygoing and friendly (Sidhu & Pexman, 2015), one might speculate that this appropriateness stems from the sonorants and voiced stops in the name.…”
Section: Sound Symbolism In Naming Choicesmentioning
confidence: 99%
“…The association of endling with J. R. R. Tolkien, whose Lord of the Rings trilogy features halflings (the other name for hobbits) and who was a member of a discussion group with C. S. Lewis known as the Inklings, is telling. As a scholar of the English language, Tolkien was particularly interested in linguistic aesthetics, especially phonosemantics, which is the relationship between sound and meaning (Smith 2006). Tolkien believed that how we use words and we react to them is partially dependent upon their sound.…”
Section: Making Endling Newsmentioning
confidence: 99%