2013
DOI: 10.3389/fnhum.2013.00173
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Flexibility of movement organization in piano performance

Abstract: Piano performance involves a large repertoire of highly skilled movements. The acquisition of these exceptional skills despite innate neural and biomechanical constraints requires a sophisticated interaction between plasticity of the neural system and organization of a redundant number of degrees of freedom (DOF) in the motor system. Neuroplasticity subserving virtuosity of pianists has been documented in neuroimaging studies investigating effects of long-term piano training on structure and function of the co… Show more

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Cited by 90 publications
(64 citation statements)
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References 108 publications
(128 reference statements)
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“…Because motor history shapes individual movement styles, motor modules may differ and become different due to motor experience and training. Indeed, different movement patterns for grasping may be identified in musicians, shaped by their specific training (Gentner et al, 2010) and different musicians display different movement styles (Furuya and Altenmuller, 2013). This perspective on how we learn to move is consistent with activity-dependent plasticity after neural injury that is altered by the specificity, intensity, difficulty and complexity of motor training (Adkins et al, 2006; Fisher and Sullivan, 2001; Will et al, 2004).…”
Section: Neuromechanical Principles Underlying Motor Module Organizationmentioning
confidence: 99%
“…Because motor history shapes individual movement styles, motor modules may differ and become different due to motor experience and training. Indeed, different movement patterns for grasping may be identified in musicians, shaped by their specific training (Gentner et al, 2010) and different musicians display different movement styles (Furuya and Altenmuller, 2013). This perspective on how we learn to move is consistent with activity-dependent plasticity after neural injury that is altered by the specificity, intensity, difficulty and complexity of motor training (Adkins et al, 2006; Fisher and Sullivan, 2001; Will et al, 2004).…”
Section: Neuromechanical Principles Underlying Motor Module Organizationmentioning
confidence: 99%
“…Practiced motor acts can vary from performance to performance, and from performer to performer (Furuya and Altenmüller 2013). Glenn Gould's 1955 and1981 recordings of Bach's Goldberg Variations differ radically, but they are more similar to each other than Murray Perahia's recording.…”
mentioning
confidence: 99%
“…The authors asserted this as evidence of independent control of finger movements (Furuya and Altenmüller, 2013) commenting on the previous work of Engel et al (1997). This idea was further developed using a 7-channel EMG analysis of finger flexors/extensors and thumb flexor and abductor muscles.…”
Section: Part 3: Current Biomechanical Methods Of Measuring Complex Hmentioning
confidence: 97%