2018
DOI: 10.31235/osf.io/g7j4u
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Fonts of Potential: Areas for Typographic Research in Political Communication

Abstract: As the prevalence of digital technologies has increased, so too has the prevalence of graphically designed content. In particular, typography has emerged as an increasingly important tool for visual communication. In recent years, political actors have seized upon the expressive potential of typography to communicate their messages, to support their campaign efforts, and to establish viable brand identities. However, researchers have been slow to address the new role typography plays in the processes of politi… Show more

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Cited by 6 publications
(18 citation statements)
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“…Zavattaro (2010) attributes Obama's political success to his positioning as a brand through the use of graphic design, this changing conventions in political advertising. Thomas (2010) sees the campaign's consistent application of graphic design using familiar, US-themed elements as enhancing a sense of trust in Obama, while Billard (2016) argues that the range and online distribution of campaign materials allowed the public to engage with and disseminate the campaign.…”
Section: Campaign Studies and Visual Contentmentioning
confidence: 99%
“…Zavattaro (2010) attributes Obama's political success to his positioning as a brand through the use of graphic design, this changing conventions in political advertising. Thomas (2010) sees the campaign's consistent application of graphic design using familiar, US-themed elements as enhancing a sense of trust in Obama, while Billard (2016) argues that the range and online distribution of campaign materials allowed the public to engage with and disseminate the campaign.…”
Section: Campaign Studies and Visual Contentmentioning
confidence: 99%
“…I previously pointed to the Obama campaign as a key example, showing how supporters used the campaign's brand resources (the O logo, the typeface Gotham, etc.) to signal their membership in his brand network and, through visual continuity with the campaign, contribute their messages to the stream of campaign-originated communications (Billard, 2016). In doing so, they transformed the Obama brand, attributing qualities to his brand through their communications that did not necessarily conform to the platform developed centrally by the campaign.…”
Section: The Networking Of Political Brandsmentioning
confidence: 99%
“…Significantly, this ability of brand networks to alter candidate brands is made possible by what I have called the ‘elasticity’ of campaigns’ design materials (Billard, 2016), which allows technologically empowered citizens to create their own (aesthetically) authentic designs with little effort. However, the choice campaigns make to produce brand designs intended to be manipulated in this way – which is part of the effort to generate a networkable brand space – constitutes an emerging logic within brand-driven campaigns of what I’m terming participatory aesthetics .…”
Section: The Networking Of Political Brandsmentioning
confidence: 99%
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