For Inspiration Only

Keller, Ianus

doi:10.1007/978-3-7643-8472-2_8

Cited by 12 publications

(8 citation statements)

References 5 publications

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“…These latter studies have confirmed the importance of visual information and collections of different visual materials [5], such as sketches, photos and drawings which are often used by designers for inspiration and for creating collages [5]. These materials are often stored on the workplace itself, in a highly individual and (semi)-organized way [5].…”

Section: Relevant Work 21 Interacting With Pilesmentioning

confidence: 88%

“…While some of these approaches are specific to desktop applications, the key idea here is that transparency can be used effectively to reveal hidden materials in the piles. Another approach is found on Cabinet [5] to allow users to create and maintain a collection of images. Images are kept in piles (stacks), and images are made accessible by expanding the piles and presenting them as thumbnails, using more screen space to reveal all the content to the user.…”

Section: Interacting With Digital Pilesmentioning

confidence: 99%

“…They often flip through their collections to remind themselves how they approached an earlier project, or to find images that might inspire them for their current work. Typically, people spread out these collections on tabletop surfaces to look for useful material [5]. As a designer's collection of visual material grows, they tend to pile them into loosely structured groups and leave them on a work surface.…”

Section: Introductionmentioning

confidence: 99%

“…For example, in the Cabinet system [5], designers are allowed to load images into the system and maintain workbooks of related images, with each workbook acting as a digital pile. However, other systems do not adequately capture the flexibility and fluidity in interaction that is evident with physical piles.…”

Section: Introductionmentioning

confidence: 99%

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Interacting with piles of artifacts on digital tables

Aliakseyeu

Subramanian

Lucero

et al. 2006

Proceedings of the Working Conference on Advanced Visual Interfaces - AVI '06

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Designers and architects regularly use piles to organize visual artifacts. Recent efforts have now made it possible for users to create piles in digital systems as well. However, there is still little understanding of how users should interact with digital piles. In this paper we investigate this issue. We first identify three tasks that must be supported by a digital pile -navigation, reorganization, and repositioning. We then present three interaction techniques -called DragDeck, HoverDeck, and ExpandPile that meet these requirements. The techniques allow users to easily browse the piles, and also allow them to move elements between and within piles in an ad-hoc manner. In a user study that compared the different interaction techniques, we found that ExpandPile was significantly faster than the other techniques over all tasks. There were differences, however, in individual tasks. We discuss the benefits and limitations of the different techniques and identify several situations where each of them could prove useful.

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Section: Relevant Work 21 Interacting With Pilesmentioning

confidence: 88%

Section: Interacting With Digital Pilesmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

See 2 more Smart Citations

Interacting with piles of artifacts on digital tables

Aliakseyeu

Subramanian

Lucero

et al. 2006

Proceedings of the Working Conference on Advanced Visual Interfaces - AVI '06

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show abstract

“…To support this common practice among designers, design-dedicated softwares or interfaces have been developed to retrieve images, such as ProductWorld [14], CRAI Interface [7], Cabinet [8], TRENDS [12]...…”

Section: Visual Stimuli In the Design Processmentioning

confidence: 99%

Influence of Designers' Kansei on Design Outcomes

Mougenot

Ikeda

Watanabe

2013

IJAE

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Most kansei studies have focused users' kansei, namely the affect and emotions of users when interacting with a product. With a different perspective on kansei moving from the user to the designer, we aim at studying designers' kansei during the process of designing. In this paper, we examine how external stimuli, like images and sounds, influence the design process and the creation of design concepts. More specifically, we investigated the effect of stimuli on recall of memories and feelings by designers and how these impressions were incorporated in the creation of design concepts. Our findings showed that auditory stimulation supports the generation of design concepts with high-level properties (user experience), as compared to visual stimulation.

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Applying Storycraft to Facilitate an Experience-Centric Conceptual Design Process

Atasoy

Martens

2020

Design, User Experience, and Usability. Interaction Design

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DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. If the publication is distributed under the terms of Article 25fa of the Dutch Copyright Act, indicated by the "Taverne" license above, please follow below link for the End User Agreement:

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For Inspiration Only

Cited by 12 publications

References 5 publications

Interacting with piles of artifacts on digital tables

Interacting with piles of artifacts on digital tables

Influence of Designers' Kansei on Design Outcomes

Applying Storycraft to Facilitate an Experience-Centric Conceptual Design Process

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