China’s Creative Industries 2010
DOI: 10.4337/9781849804707.00004
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Foreword: Whose creative industries?

Abstract: The context in which this book was produced is important, because there's a great deal more going on here than a simple observation of recent developments in an emergent economy. Lucy Montgomery has synthesized interdisciplinary approaches to the creative economy, media studies, copyright law and 'area' studies.In an era of hyper-specialization it is unusual to find such a range of concerns, but at the same time it is impossible to do justice to specialist domains without knowing how they fit together, and how… Show more

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Cited by 63 publications
(91 citation statements)
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“…In general, the creative sectors constitute a group of absolutely heterogeneous sectors, which commonly gain great visibility thanks to the strength and omnipresence of globalized tourism and the strength of the entertainment logic in everyday life. More details in HARTLEY, 2005;FLORIDA, 2002. According to UNESCO, "creative cities" would bring together in their territory sectors of the powerful creative industries (for more information, check: Creative Cities Network.…”
Section: Introductionmentioning
confidence: 99%
“…In general, the creative sectors constitute a group of absolutely heterogeneous sectors, which commonly gain great visibility thanks to the strength and omnipresence of globalized tourism and the strength of the entertainment logic in everyday life. More details in HARTLEY, 2005;FLORIDA, 2002. According to UNESCO, "creative cities" would bring together in their territory sectors of the powerful creative industries (for more information, check: Creative Cities Network.…”
Section: Introductionmentioning
confidence: 99%
“…A palavra "indústria" que compõe o termo "indústrias criativas" relaciona o atributo humano às empresas que produzem em larga escala (HARTLEY, 2005).…”
Section: Segundo O Departamento De Cultura Mídia E Esporte Do Reino unclassified
“…O termo "indústrias criativas" é uma tentativa de descrever a convergência conceitual e prática existentes entre as artes criativas (relativas ao talento individual) com a indústria cultural (produção da cultura em escala industrial), no contexto de novas tecnologias de mídia (que podem ser associadas às Tecnologias de Informação e Comunicação -TICs), dentro de uma nova economia baseada no conhecimento das pessoas, para uso dos recém-interativos e conectados cidadãos-consumidores (HARTLEY, 2005).…”
Section: Segundo O Departamento De Cultura Mídia E Esporte Do Reino unclassified
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