It seems that Ireland is lagging behind other nations in gender balance in promoting and exhibiting its history. This article seeks to interrogate current representations of women within what can be called ''public history'' in Ireland. It will also contextualize the integration of women as both creators and subjects of history over recent years. It will point to inadequacies, of course, but also examples of great practice that bodes well for the future.KEY WORDS: Ireland, women's history, museums, Rosie Hackett BridgeIt is great to see powerful, strong women out in front especially in this time and place as these women wouldn't really have been talked about before.As any actress knows, female characters can sometimes only have bit-partsyou know, the girlfriend or the wife-so this was very exciting. In January 2016 the Irish state broadcaster, RTÉ , aired its five-part television drama series Rebellion to mixed reviews nationally. 3 Launched amid an array of artistic, documentary, and current affairs programming for TV, radio, and online content as well as major public events, Rebellion was billed as RTÉ 's major contribution to the 2016 centenary commemorations of the Easter Rebellion against British rule of Ireland, and it was eagerly anticipated. 4 The series was a very modern creation.