1984
DOI: 10.2307/3679811
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FORMES: Composition and Scheduling of Processes

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Cited by 39 publications
(17 citation statements)
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“…Similar time structuring is proposed by several other authors (e.g. Rodet & Cointe, 1984;Dannenberg, 1989). describes a list of thirteen possible relationships.…”
Section: Explicit Time Structuringmentioning
confidence: 98%
“…Similar time structuring is proposed by several other authors (e.g. Rodet & Cointe, 1984;Dannenberg, 1989). describes a list of thirteen possible relationships.…”
Section: Explicit Time Structuringmentioning
confidence: 98%
“…Let us start with evolved computer music systems, such as objectoriented systems (Pope, 1988), even if, as we have seen, they cannot be considered truly intelligent: KYMA (Scaletti, 1987), (Fagarazzi, 1990-this issue), Ios (Roads, 1983), PLA (Schottstaedt, 1983), FORMES (Rodet & Cointe, 1984) are the most significant examples. Even if they do not allow inference mechanisms, object-oriented systems include features of significant interest from an AI viewpoint, such as conceptual, object-oriented representations of music, and 'good' mechanisms such as inheritance and information encapsulation» The purpose of these computer music systems is to assist composer's activities.…”
Section: Toolsmentioning
confidence: 98%
“…-in the same way, a system based on object-oriented programming (OOP) (Stefik & Bobrow, 1986) techniques is not an AIS: until a few years ago, there was no completely clear distinction of the frontier between some AI research areas and OOP, since they share some common basic ideas (see below). What should be clear is that OOP refers only to a sophisticated class of programming techniques and environments, which are widely used, for example, for implementing a composer's assistant (Roads, 1983;Schottstaedt, 1983;Rodet & Cointe, 1984;Pope, 1988). All these systems do not have intelligent features, such as capacity of inference.…”
Section: What Does Artificial Intelligence Mean?mentioning
confidence: 99%
“…Availability of higher, more abstract programming languages (such as Lisp) and powerful microcomputers made the design of a system for music composition more realistic (e.g. Schottsteadt 1983, Rodet andCointe 1984). New developments in computer science, especially in AI research, excited a lot of new ideas in designing systems for music.…”
Section: Environments For Music Compositionmentioning
confidence: 99%